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coulisse fetes venitiennes elodie fonnard - j tissot vidal

coulisse fetes venitiennes elodie fonnard - j tissot vidal

Stéphanie d'Oustrac en costume de Cybèle, d'après Jean-Marie Villégier, "Atys", Les Arts florissants, 2011. | © PIERRE GROSBOIS/LES ARTS FLORISSANTS

"Costumer le pouvoir" sur scène et à l'écran

Stéphanie d'Oustrac en costume de Cybèle, d'après Jean-Marie Villégier, "Atys", Les Arts florissants, 2011. | © PIERRE GROSBOIS/LES ARTS FLORISSANTS

John Zorn - Jazz in Marciac - Live 2010 (Full Show).  John Zorn - direction, saxophone Marc Ribot - guitar Jamie Saft - piano, orgue Trevor Dunn - bass Kenny Wollesen - vibraphone Joey Baron - drums Cyro Baptista - percussion

John Zorn - Jazz in Marciac - Live 2010 (Full Show). John Zorn - direction, saxophone Marc Ribot - guitar Jamie Saft - piano, orgue Trevor Dunn - bass Kenny Wollesen - vibraphone Joey Baron - drums Cyro Baptista - percussion

les fetes venitiennes les serenades et les joueurs 4 - v pontet

les fetes venitiennes les serenades et les joueurs 4 - v pontet

les fetes venitiennes opera 1 - v pontet

les fetes venitiennes opera 1 - v pontet

Messe de Minuit (Charpentier) | Deutsch-Französischer Chor Dresden

Messe de Minuit (Charpentier) | Deutsch-Französischer Chor Dresden

Les Indes Galantes - Rameau parte 1. William Christie, Andrei Serban – João Fernandes (Bellone), Paul Agnew (Valère), Patricia Petibon (Zima) – Opéra national de Paris. Les Indes galantes is the most achieved example of an opéra-ballet. In this specific genre, the plot is merely important, the sole matter is to entertain the audience. Around a recurrent theme, in this case love, several entrées offer as many light-hearted variations in which dance count as much as singing.

Les Indes Galantes - Rameau parte 1. William Christie, Andrei Serban – João Fernandes (Bellone), Paul Agnew (Valère), Patricia Petibon (Zima) – Opéra national de Paris. Les Indes galantes is the most achieved example of an opéra-ballet. In this specific genre, the plot is merely important, the sole matter is to entertain the audience. Around a recurrent theme, in this case love, several entrées offer as many light-hearted variations in which dance count as much as singing.

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