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A late 19th century gem-set, pearl and diamond brooch. Of gothic inspiration, the large openwork rectangular plaque, composed of four old brilliant-cut diamond lines highlighted at their intersection with oval-cut rubies in square collet-settings, within a pearl and half-pearl, similarly-cut ruby and step-cut diamond surround, decorated with rose-cut diamonds, beading and scrolling details, old brilliant-cut diamonds approx. 1.75cts total, probably converted from a buckle

Exceptional Art Deco aquamarine and diamond stylised buckle brooch, set to the centre with a cut-cornered rectangular aquamarine flanked by stepped and baguette-cut aquamarine four-stone shouders to brilliant-and baguette-cut diamond mount, set to the four corners with a wedge shaped aquamarine embelllished by further baguette and square-cut aquamarines, signed by Cartier London. @Deidré Wallace

A late-nineteenth-century enamel and gem-set buckle in the form of two entwined snakes, symbolising eternal love.

A late 19th century gem-set, pearl and diamond brooch. Of Gothic inspiration, the large openwork rectangular plaque, composed of four old brilliant-cut diamond lines highlighted at their intersection with oval-cut rubies in square collet-settings, within a pearl and half-pearl, similarly-cut ruby and step-cut diamond surround, decorated with rose-cut diamonds, beading and scrolling details. #NeoGothic #Victorian #brooch

CARL STRATHMANN FOR ADELBERT NIEMEYER; BUCKLE circa 1900, silver gilt in the form of a leaping fish stamped marks 2 3/8in. (6cm.) high

An art deco emerald and diamond panel brooch, circa 1930 Set with three step-cut emeralds upon a pierced buckle panel of geometric design set throughout with brilliant and baguette-cut diamonds, diamonds approx. 2.90ct. total, length 5.5cm.