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Wood carvings of angels to the Baroque altar. Raw state before polychrome. #engels #artprogress #anioł #engel #putten #putto #pute #barock #baroque #sculptures #figurativeart #woodsculpture #sculture #humanity #woodcarvet #contemporarysculpture #holz #wood #drewno #headsculpture #law #love #babygirl #baby #beautiful #aniołek #escultura #realism #traditionalart #clasical

Wood carvings of angels to the Baroque altar. Raw state before polychrome. #engels #artprogress #anioł #engel #putten #putto #pute #barock #baroque #sculptures #figurativeart #woodsculpture #sculture #humanity #woodcarvet #contemporarysculpture #holz #wood #drewno #headsculpture #law #love #babygirl #baby #beautiful #aniołek #escultura #realism #traditionalart #clasical

Saturday, September 27, 2014–Sunday, February 15, 2015 Heaven and Earth: Art of Byzantium from Greek Collections | The Art Institute of Chicago

Saturday, September 27, 2014–Sunday, February 15, 2015 Heaven and Earth: Art of Byzantium from Greek Collections | The Art Institute of Chicago

virgen dolorosa - Buscar con Google

virgen dolorosa - Buscar con Google

Un dipinto della Madonna Addolorata nella chiesa di Trinità dei Pellegrini a Napoli, Italia.

Un dipinto della Madonna Addolorata nella chiesa di Trinità dei Pellegrini a Napoli, Italia.

Marie Laurencin, Woman with a Guitar, 1943  From the Cummer Museum of Art:    Poet and painter Marie Laurencin was closely associated with the Parisian avant-garde movement.  Woman with a Guitardemonstrates Laurencin’s schematic treatment of human anatomy.  These stylistic elements were partly based on her knowledge of the art of Africa, including tribal masks. The sitter’s porcelain skin, demure mouth, and widely set almond eyes are particularly striking and the flat planes of paste

Marie Laurencin, Woman with a Guitar, 1943 From the Cummer Museum of Art: Poet and painter Marie Laurencin was closely associated with the Parisian avant-garde movement. Woman with a Guitardemonstrates Laurencin’s schematic treatment of human anatomy. These stylistic elements were partly based on her knowledge of the art of Africa, including tribal masks. The sitter’s porcelain skin, demure mouth, and widely set almond eyes are particularly striking and the flat planes of paste

ATTRIBUTED TO ANDREA SOLARIO  MILAN CIRCA 1465 - 1524 MATER DOLOROSA oil on panel 12 3/8  by 9 3/4  in.; 31.6 by 24.6 cm. Estimate  30,000 — 50,000  USD  LOT SOLD. 43,750 USD

ATTRIBUTED TO ANDREA SOLARIO MILAN CIRCA 1465 - 1524 MATER DOLOROSA oil on panel 12 3/8 by 9 3/4 in.; 31.6 by 24.6 cm. Estimate 30,000 — 50,000 USD LOT SOLD. 43,750 USD

Almeida Junior - Auto-retrato - AAPPA - José Ferraz de Almeida Júnior - Wikipedia, the free encyclopedia

Almeida Junior - Auto-retrato - AAPPA - José Ferraz de Almeida Júnior - Wikipedia, the free encyclopedia

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