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Artiste inconnu. La basse de l'oeuvre est une photo, donc de la photographie, mais par après l'artiste à rajouter un squelette et de l'écriture. Les seules techniques appliquer est la superposition et la modification de photo (ex: modifier la saturation, le contraste...). Les couleurs utilisées sont les couleurs de peau normal, puisque le squelette est ne noir et blanc. J'aime l'oeuvre puisque je trouve cela original de mélange deux sortes d'art complètement différent.

Artiste inconnu. La basse de l'oeuvre est une photo, donc de la photographie, mais par après l'artiste à rajouter un squelette et de l'écriture. Les seules techniques appliquer est la superposition et la modification de photo (ex: modifier la saturation, le contraste...). Les couleurs utilisées sont les couleurs de peau normal, puisque le squelette est ne noir et blanc. J'aime l'oeuvre puisque je trouve cela original de mélange deux sortes d'art complètement différent.

jose romussi This is a perfect Inspiration for the GCSE question on Disguises

jose romussi (The Jealous Curator)

Saatchi Online Artist: sanaz vosough ghanbari; Painting, Assemblage / Collage No title  More realistic

Saatchi Online Artist: sanaz vosough ghanbari; Painting, Assemblage / Collage No title More realistic

Cut out pattern - Maybe combine cut out AND drawn on? Two different sides of the face, two techniques...

Cut out pattern - Maybe combine cut out AND drawn on? Two different sides of the face, two techniques...

Masao Yamamoto carries his photographs around with him for weeks allowing them to become aged and so appear loved.

Masao Yamamoto carries his photographs around with him for weeks allowing them to become aged and so appear loved.

52 photography projects: a photo idea to try every week in 2015 | Digital Camera World

52 photography projects: A photo idea to try every week of the year

Zander Olsen Tree, Line ‘This is an ongoing series of constructed photographs rooted in the forest. These works, carried out in Surrey, Hampshire and Wales,involve site specific interventions in the landscape, ‘wrapping’ trees with white material to construct a visual relationship between tree, not-tree and the line of horizon according to the camera’s viewpoint.’

Zander Olsen Tree, Line ‘This is an ongoing series of constructed photographs rooted in the forest. These works, carried out in Surrey, Hampshire and Wales,involve site specific interventions in the landscape, ‘wrapping’ trees with white material to construct a visual relationship between tree, not-tree and the line of horizon according to the camera’s viewpoint.’

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