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Andrea Mantegna, The Camera degli Sposi (bridal chamber),  (1465-1474),  Ducal Palace, Mantua.The Camera degli Sposi (“bridal chamber”), sometimes known as the Camera picta (“painted chamber”), is a room frescoed with illusionistic paintings by Andrea Mantegna in the Ducal Palace, Mantua, Italy. It was painted between 1465 and 1474 and commissioned by Ludovico Gonzaga, and is notable for the use of trompe l’oeil details and its di sotto in sù ceiling.

Andrea Mantegna: The Camera degli Sposi (bridal chamber) in the Ducal Palace, Mantua. The frescoes by Andrea Mantegna were painted and commissioned by Ludovico Gonzaga, Duke of Urbino.

Affresco nella "sala delle dame": donne che suonano, Masolino da Panicale

Affresco nella "sala delle dame": donne che suonano, Masolino da Panicale

Crucifixión.  Ejecutado por Masolini y Masaccio entre 1428 y 1430. Muestran escenas de la vuda de Santa Catalina de Alejandria y del padre de la Iglesia Ambrosio. Señalan una importante fase del desarrollo renacentista en Roma. Capella Branda Castiglioni en San Clemente, Roma, Italia.

Crucifixión. Ejecutado por Masolini y Masaccio entre 1428 y 1430. Muestran escenas de la vuda de Santa Catalina de Alejandria y del padre de la Iglesia Ambrosio. Señalan una importante fase del desarrollo renacentista en Roma. Capella Branda Castiglioni en San Clemente, Roma, Italia.

By Ricard Terré (Grupo fotográfico AFAL)

La niña bizca de Ricard Terré

Misadventures, queer culture and unknow pleasures. Curated by Jesus Alcaide (art curator)

Masolino da :Panicale - saint julien asesinando a sus padres

Masolino da :Panicale - saint julien asesinando a sus padres

Martyre de sainte Catherine d’Alexandrie, Heures d’Etienne Chevalier, vers 1452-1460; Musée Condé, Chantilly

Martyre de sainte Catherine d’Alexandrie, Heures d’Etienne Chevalier, vers 1452-1460; Musée Condé, Chantilly

Annunciata, Pierro della F.

Piero della Francesca, Annunciation Fresco, 329 x 193 cm San Francesco, Arezzo

Suite of Cardinal Francesco (detail) : MANTEGNA, Andrea : Art Images : Imagiva

Andrea Mantegna - Arrival of Cardinal Francesco Gonzaga, Ducal Palace in Mantua, Italy

Giovanni di Paolo - Santa Caterina da Siena - tempera e oro su tavola - Fogg Art Museum, Cambridge

Giovanni di Paolo - Santa Caterina da Siena - tempera e oro su tavola - Fogg Art Museum, Cambridge

Masolino da Panicale - Crocifissione, dettaglio - 1425-1431 - affresco - Cappella Castiglione, San Clemente, Roma

Masolino a Roma con il Cardinale Branda Castiglioni

Masolino - La Guarigione dello storpio e resurrezione di Tabita è un affresco di Masolino facente parte della decorazione della Cappella Brancacci nella chiesa di Santa Maria del Carmine a Firenze. L'opera, databile al 1424-1425 circa (260x599 cm), ritrae due miracoli di san Pietro avvenuti in tempi e luoghi diversi (atti degli Apostoli III, 1-10 e IX, 36-41) e si trova nel registro mediano della parete destra.

Cappella Brancacci nella chiesa di Santa Maria del Carmine a Firenze

"The Alchemy of Color and Chemical Change in Medieval Manuscripts" -- Appreciated today for its aesthetic qualities, color during the Middle Ages was also understood for its material, scientific, and medicinal properties. The manufacture of colored pigments and inks was part of the science of alchemy, the forerunner of modern chemistry. Concerned with the transformation of matter, alchemy was closely tied to artistic practice.

Some of the most vivid pigments in medieval manuscripts were manufactured through alchemy, an experimental practice that predates modern chemistry.

Dispute de sainte Catherine avec les philosophes païens d'Alexandrie, Masolino

Page of St Catherine Disputing with Scholars by MASOLINO da Panicale in the Web Gallery of Art, a searchable image collection and database of European painting, sculpture and architecture

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