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JOACHIM BEUCKELAER  ( Anversa 1530 - 1675 ). MERCATO DEL PESCE. 1569.  olio su tela. 147 × 200 cm. Signed and dated " J.B.1569 " .Provenance : Collezione Farnese. Napoli. Museo e Gallerie Nazionali di Capodimonte. Inv. No. Q661.

JOACHIM BEUCKELAER ( Anversa 1530 - 1675 ). MERCATO DEL PESCE. 1569. olio su tela. 147 × 200 cm. Signed and dated " J.B.1569 " .Provenance : Collezione Farnese. Napoli. Museo e Gallerie Nazionali di Capodimonte. Inv. No. Q661.

Mercato del Pesce - Trapani, Sicily, Italy

Mercato del Pesce - Trapani, Sicily, Italy

Willem van Aelst - Flower Still Life with a Watch, 1663 from the Royal Picture Gallery in Mauritshuis - The Hague and displayed at the National Art Gallery Washington DC, via Flickr.

Willem van Aelst - Flower Still Life with a Watch, 1663 from the Royal Picture Gallery in Mauritshuis - The Hague and displayed at the National Art Gallery Washington DC, via Flickr.

Rachel Ruysch - Vase of Flowers, 1700 (Royal Picture Gallery Mauritshuis The Hague)

Rachel Ruysch - Vase of Flowers, 1700 (Royal Picture Gallery Mauritshuis The Hague)

Willem Kalf (Dutch, 1619–1693). Still Life with Fruit, Glassware, and a Wanli Bowl, 1659. The Metropolitan Museum of Art, New York. Maria DeWitt Jesup Fund, 1953 (53.111)

Willem Kalf (Dutch, 1619–1693). Still Life with Fruit, Glassware, and a Wanli Bowl, 1659. The Metropolitan Museum of Art, New York. Maria DeWitt Jesup Fund, 1953 (53.111)

Jan Davidsz de Heem (Dutch, 1606–1683/84). Still Life with a Glass and Oysters, ca. 1640. The Metropolitan Museum of Art, New York. Purchase, 1871 (71.78) | De Heem's earliest paintings are precocious fruit pieces produced in his native Utrecht under the influence of Balthasar van der Ast. This panel of about 1640 is a simple paean to bacchic pleasure, and to textures and light.

Jan Davidsz de Heem (Dutch, 1606–1683/84). Still Life with a Glass and Oysters, ca. 1640. The Metropolitan Museum of Art, New York. Purchase, 1871 (71.78) | De Heem's earliest paintings are precocious fruit pieces produced in his native Utrecht under the influence of Balthasar van der Ast. This panel of about 1640 is a simple paean to bacchic pleasure, and to textures and light.

Melchior d' Hondecoeter (Dutch, 1636–1695). Peacocks, 1683. The Metropolitan Museum of Art, New York. Gift of Samuel H. Kress, 1927 (27.250.1) #peacock

Melchior d' Hondecoeter (Dutch, 1636–1695). Peacocks, 1683. The Metropolitan Museum of Art, New York. Gift of Samuel H. Kress, 1927 (27.250.1) #peacock

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