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This piece is pretty unique. It has an aggressive feel with a monster-looking figure seemingly attacking a US troop in Iraq. In actuality, I made mirrored photocopies of an Iraqi man with his arms passively raised being interrogated by a US troop. The final image completely turns the original substance of the picture on it's head... For the color, I simply used a green sheet of printer paper...

This piece is pretty unique. It has an aggressive feel with a monster-looking figure seemingly attacking a US troop in Iraq. In actuality, I made mirrored photocopies of an Iraqi man with his arms passively raised being interrogated by a US troop. The final image completely turns the original substance of the picture on it's head... For the color, I simply used a green sheet of printer paper...

This picture came out really well, the colors are so dark and ominous. It's always been one of my flagship pieces that truly transformed two completely different images into one cohesive whole. The main image is a black and white image of a man in a tunnel looking at the wall, the second image is a diver in a cave. I assembled them such that the visage of a face appears at the right.

This picture came out really well, the colors are so dark and ominous. It's always been one of my flagship pieces that truly transformed two completely different images into one cohesive whole. The main image is a black and white image of a man in a tunnel looking at the wall, the second image is a diver in a cave. I assembled them such that the visage of a face appears at the right.

This collage is a combination of anatomy textbook images, and photos of contemporary architecture. Though the rigid lines shouldn't meld well with the soft angles of the person, the final composition just worked. When I put the final pieces together, I just stood back for a second and was like, yeah, that works.

This collage is a combination of anatomy textbook images, and photos of contemporary architecture. Though the rigid lines shouldn't meld well with the soft angles of the person, the final composition just worked. When I put the final pieces together, I just stood back for a second and was like, yeah, that works.

This image is about a soldier coming home from way... I made a negative image of a soldier in Afghanistan firing his weapon over an embankment, and superimposed it on an almost alien-looking picture of an escalator in an airport terminal. The final result is chaotic as the two images don't juxtapose well, but I guess that was the point I was trying to get across...

This image is about a soldier coming home from way... I made a negative image of a soldier in Afghanistan firing his weapon over an embankment, and superimposed it on an almost alien-looking picture of an escalator in an airport terminal. The final result is chaotic as the two images don't juxtapose well, but I guess that was the point I was trying to get across...

Here is another historical piece of Malcom X. I always like to assemble seemingly contradictory images or at the very least images who taken on their own merits have a different feel, or different meanings. Malcom X was such an imposing personality, I wanted to assemble his image with something diametrically opposed, a picture of the sky filled to the brim with Monarch butterflies seemed appropriate. I was pretty happy with the final image.

Here is another historical piece of Malcom X. I always like to assemble seemingly contradictory images or at the very least images who taken on their own merits have a different feel, or different meanings. Malcom X was such an imposing personality, I wanted to assemble his image with something diametrically opposed, a picture of the sky filled to the brim with Monarch butterflies seemed appropriate. I was pretty happy with the final image.

This is one of my newer pictures... It's a mixture of suburban sprawl, and a pristine landscape that has been untouched by development.

This is one of my newer pictures... It's a mixture of suburban sprawl, and a pristine landscape that has been untouched by development.

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