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Pompeo Batoni (Italian, 1708–1787). Diana and Cupid, 1761. The Metropolitan Museum of Art, New York. Purchase, The Charles Engelhard Foundation, Robert Lehman Foundation Inc., Mrs. Haebler Frantz, April R. Axton, L. H. P. Klotz, and David Mortimer Gifts; and Gifts of Mr. and Mrs. Charles Wrightsman, George Blumenthal, and J. Pierpont Morgan, Bequests of Millie Bruhl Fredrick and Mary Clark Thompson, and Rogers Fund, by exchange, 1982 (1982.438)

Portrait of Edmund Rolfe, by Pompeo Batoni, 1761. Private Collection

Pompeo Batoni, Portrait of Lord John Brudenell-Montagu, 1758. Boughton House, Kettering Northamptonshire by renzodionigi, via Flickr

Anton Raphael Mengs (1728–1779 Rome) at 48, 1776 Mengs became the most important painter in Dresden, Rome, and Madrid in the third quarter of the eighteenth century. Whereas Mengs's portraits of prominent sitters are notable for their delicacy, meticulous detail, and refined beauty, his self-portraits are essays in truthfulness. The discolored swelling on his forehead is a physical defect visible from about 1760.

Robert Brown of Newhall by Sir Henry Raeburn 1792. Almost, I want to put this in Regency board because of his dress. But he is still powdered.

Sir Thomas Lawrence 'A double portrait of the Fullerton sisters

By Elisabeth Louise Vigée Lebrun:1796. Portrait de la comtesse Skavronskaia

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Joven pintando (Young woman painting) Johann Heinrich Tischbein 1751-1829