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DIE PLEITE, numéro 3, avril 1919

Raoul Hausmann. The Art Critic 1919-20. Hausmann, a founder member of the Berlin Dada group, developed photomontage as a tool of satire and political protest. The fragment of a German banknote behind the critic’s neck suggests that he is controlled by capitalist forces. The words in the background are part of a poem poster made by Hausmann to be pasted on the walls of Berlin.

Francis Picabia - Dada. Picabia continued his involvement in the Dada movement through 1919, before breaking away from it after developing an interest in Surrealist art. He denounced Dada in 1921, and issued a personal attack against Breton in the final issue of 391, in 1924.

the original Merzbau (photo taken 1933), by Kurt Schwitters

from #LesPapiersCollés

Lynn Skordal

Haha! Big mouth attak —

Cut with the Kitchen Knife through the First Epoch fo thte Weimar Beer-Belly Culture. collage

Gerhardt Hauptmann- Hannah Höch- the man has approximately the same figure as the woman

Lily Elsie, popular English actress and singer during the Edwardian era, best known for her starring role in the hit London premiere of Franz Lehár's operetta The Merry Widow.

Max Ernst. Self-portrait, 1919

from #LesPapiersCollés

Jorge Chamorro Jeorge Chamorro