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Long before Technicolor or Kodachrome, audiences gathered in darkened spaces and saw Los Angeles in vibrant, even surreal, color.

Long before Technicolor or Kodachrome, audiences gathered in darkened spaces and saw Los Angeles in vibrant, even surreal, color.

Max Ernst, photographed by  Frederick Sommer, 1946, Gelatin silver print. This image of Surrealist painter Max Ernst posed against a weathered wooden wall has been overprinted with a negative of a rough, water-worn rock surface. This artwork is part of Faking It: Manipulated Photography Before Photoshop.

Max Ernst, photographed by Frederick Sommer, 1946, Gelatin silver print. This image of Surrealist painter Max Ernst posed against a weathered wooden wall has been overprinted with a negative of a rough, water-worn rock surface. This artwork is part of Faking It: Manipulated Photography Before Photoshop.

The Finishing Touch by Aimee Stewart  My heart to you is given:  Oh, do give yours to me;  We’ll lock them up together,  And throw away the key.  ~Frederick Saunders

The Finishing Touch by Aimee Stewart My heart to you is given: Oh, do give yours to me; We’ll lock them up together, And throw away the key. ~Frederick Saunders

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