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Le Tre Case del Campiaro a Grizzana

Le Tre Case del Campiaro a Grizzana

Never give up on your dreams, because one day, it will be worth it

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This is a really good example for the element of line, because your eyes have to follow the line down in order to see the faces drawn into it. This piece of art is also a very good example of a Continuous Contour Line Drawing because it is only one line drawn into all three of the faces. I was drawn to this image because at first I thought it was just a scribble, but when I payed closer attention I saw that it created three faces.

Faces line Art Print

This is a really good example for the element of line, because your eyes have to follow the line down in order to see the faces drawn into it. This piece of art is also a very good example of a Continuous Contour Line Drawing because it is only one line drawn into all three of the faces. I was drawn to this image because at first I thought it was just a scribble, but when I payed closer attention I saw that it created three faces.

Three different ways to hang art from picture rail molding: page 82 of How to Hang a Picture (Book)

Three different ways to hang art from picture rail molding: page 82 of How to Hang a Picture (Book)

Ballerina nursery wall art. Pink and grey ballerina by FlorasShop

Ballerina nursery wall art. Pink and grey ballerina decor

Light sculpture Can enhance or obscure the understanding of form, a pivotal aspect of three-dimensional design. #art #installation #lightbox

Light sculpture Can enhance or obscure the understanding of form, a pivotal aspect of three-dimensional design. #art #installation #lightbox

Pablo Valbuena: investigating space-time not only as a three dimensional environment, but as space in transformation. Two layers are produced: the physical layer, which controls the real space and shapes the volumetric base that serves as a support for a virtual projected layer that allows control of the transformation and sequentiality of space-time.

Pablo Valbuena: investigating space-time not only as a three dimensional environment, but as space in transformation. Two layers are produced: the physical layer, which controls the real space and shapes the volumetric base that serves as a support for a virtual projected layer that allows control of the transformation and sequentiality of space-time.

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