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Fashion for woman in Renaissance

Lais Corinthiaca 1526 Hans Il Giovane Holbein (the Younger)(German Northern Renaissance Painter. Wonderful bodice and sleeves

Petticoat from the Italian Renaissance with sleeves wider above the elbow and fitted below.

Close up detail from Petticoat [sottana] with sleeves, Pisa, Museo di Palazzo Reale. Slashes/pinking giving the effect of a paned sleeve without the buttons or ties needed to hold the sections together

This gable hood is the sort of headdress Aimee wore to disguise herself from the king (while traveling with the court to Chenonceau).

Hans Holbein the Younger - Mary, Lady Guildford (Saint Louis Art Museum) - Gable hood - Mary Wotton, Lady Guildenford, wearing a gable hood with pinned up lappets and a hanging veil. Hans Holbein the Younger,

ca. 1630 Lady, probably Pantasilea Dotto Capodilista, by Chiara Varotari (Museo d'Arte Medievale e Moderna - Padua Italy)

File:Chiara Varotari, Portrait of a Lady (Pantasilea Dotto Capodilista), ca. Oil on canvas. 200 x cm Museo d'Arte Medievale e Moderna, Padua.

1490 Fresco from the Picccolomini Library in Sienna depicting the marriage of a Portugese princess, Eleaonra  to the Holy Roman Emperor, Frederick III.  She and all her ladies wear Sayas and Mantos as well as Coffias de Tranzado

Pinturricio's Eneias Silvio Piccolomini celebrating the marriage between Frederick III and Eleanor of Portugal. AKA "Eneas Piccolomini Introducing Leonor of Portugal to Frederick III"

Vincenzo Anastagi, El Greco (The Greek) Doménikos Theotokópoulos, 1575, Spain, Mannerism, High Renaissance

Jacopo Boncompagni, son of Ugo who future Gregorio XIII e Maddalena Fulchini. His father bought him the marquisate of Vignola from Alfonso II d'Este. Scipione Pulzone (Il Gaetano), Portrait of Jacopo Boncompagni, 1574

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