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Julia Maria – textile design collection Invisible “which is filled with designs inspired by the things that sustain our lives that are unseen to the naked eye.”  “The tablecloth design is my own interpretation of bees looking at flowers, colourful watercolour style.” http://californiastarsx.tumblr.com/post/85734458921/just-spent-the-past-four-years-learning-my-skills  Seen on the Science blog it's okay to be smart: http://www.itsokaytobesmart.com

Julia Maria – textile design collection Invisible “which is filled with designs inspired by the things that sustain our lives that are unseen to the naked eye.” “The tablecloth design is my own interpretation of bees looking at flowers, colourful watercolour style.” http://californiastarsx.tumblr.com/post/85734458921/just-spent-the-past-four-years-learning-my-skills Seen on the Science blog it's okay to be smart: http://www.itsokaytobesmart.com

'Riva' by Josef Hoffman, c.1910, early 20th century textile design from the Viennese Workshop (Wiener Werkstätte). http://historicallymodernquilts.blogspot.co.uk

My new Modernism collection from Moda had to include a circular flower.

Lupins, handprinted linocut wallpaper by Anneliese Appleby. http://annelieseappleby.co.uk/blog/

News of New Wallpapers and Hand Printed Designs, Press stories with Interior Design Room-sets, Hand Printed Bespoke wall-paper, Exhibitions and Trade Fairs

Cornelia Parker Meteorite Lands in the Middle of Nowhere, 2001 Edition: 20 at each of 6 locations

Cornelia Parker: In these works Parker scorched atlas pages with a heated iron meteorite. The resulting prints document imaginary “hits and misses” throughout the American South.

Judy Pfaff, Half a Dozen of the Other

Judy Pfaff, Half a Dozen of the Other – De Lumia e Obra, 1991 Colour aquatint with spit bite and sugar lift aquatints and soft ground etching, x 129 cm. Printed at Crown Point Press.

JULIA DAULT - Artists - Marianne Boesky

JULIA DAULT - Artists - Marianne Boesky

Amanda Marie, ‘Bird Riders’, 2012, 11-colour screenprint on Somerset 330gsm Paper, with varnishes and metallic pigments, 80 x 108 cm, edition of 45. http://www.jealousgallery.com

Bird Riders Limited Edition Print from Amanda Marie. Medium: 11 Colour Screenprint with Varnishes and Metallic Pigments on Somerset Paper Edges: DeckledYear: 45

Erin Endicott Hand embroidery, walnut ink, vintage fabric

Work by Erin Endicott on Textile Design and Designer`s Platform. This textiles piece of work interests me as I like how the brown and darker parts of it look as it looks like a real map. The contour lines help to convey this

Barbara Wien gallery. Ester Fleckner (exh July- Aug 2017). All models are wrong, some are useful -2017, woodcut on paper, pencil, 111 x 86 cm. On the floor next to All models are wrong, some are useful, concrete figures appear, creating multiple relationships with the prints. Here it looks like we have the three-dimensional folded realisations of the unfolded polyhedron-forms drawn on the prints. Read more at: http://www.barbarawien.de/gallery.php

Barbara Wien gallery. Ester Fleckner (exh July- Aug 2017). All models are wrong, some are useful -2017, woodcut on paper, pencil, 111 x 86 cm. On the floor next to All models are wrong, some are useful, concrete figures appear, creating multiple relationships with the prints. Here it looks like we have the three-dimensional folded realisations of the unfolded polyhedron-forms drawn on the prints. Read more at: http://www.barbarawien.de/gallery.php

Aircraft, one of a series by Martin Leedham. http://www.martinleedham.com/aircraft.html

Aircraft, one of a series by Martin Leedham. http://www.martinleedham.com/aircraft.html

"T from the series Type," 2004. Portfolio of 26 color etchings with tarlatan chine collé. 12 1/2 x 12 1/2 in. © Richard Tuttle

"T from the series Type," Portfolio of 26 color etchings with tarlatan chine collé.

A one off, hand drawn zine. Featuring 6 pages of 100s and 1000s. Josh Wayles. http://joshwayles.tumblr.com

A one off, hand drawn zine. Featuring 6 pages of 100s and 1000s. Josh Wayles. http://joshwayles.tumblr.com

Gesa Puell, Punkt zu Linie (Point to Line) 2013. Stack of lithographs, 12 1/2 x 9 1/2 x 3/4 inches. Printed by the artist and Joe Holzner. Published by planparallel, Übersee, Germany.

Gesa Puell, Punkt zu Linie (Point to Line) Stack of lithographs, 12 x 9 x inches. Printed by the artist and Joe Holzner. Published by planparallel, Übersee, Germany.

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