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1770s polonaise (?) gown Beautiful color and neckline

"Demi-polonaise, or polonaise à la liberté.  It is a diminutive version of the bottom part of the gowns that Court Ladies, obligated by etiquette to be seen in public in the morning, adopted long ago, which made a rather happy addition to the new fashions. The demi-polonaise consists of a petticoat, to which is attached the bottom of the polonaise, or simply a polonaise tail pulled up as usual; it is as comfortable as it is pretty, has the double advantage of making one appear fully…

Robe à la polonaise: ca. 1778-1780, French, silk and embellishments.

Polonaise c. 1775-1780, Museo del Traje Looking closer : this is not a true polonaise : there is a seam at the waist on the side.

Polonaise Gown, c. 1780 Polonaise gown, hand-painted and hand-sewn reproduction of an extant ensemble at the Metropolitan Museum of Art . Silk calash, hand-sewn reproduction of an extant item in the collection of Pottsgrove Manor. Left, reproduction gown with calash, right, original gown back view. Exotic goods from the East were always highly desirable in fashionable European society, whether home furnishings of rare woods, ladies’ ivory fans, or textiles for expensive garments.

Tambourine hat (it has been called, since this Print, the "beautiful leg" hat**); the edges folded up, of plain gauze like the gown trim; the crown or toque of material that matches the polonaise or the ribbon, pleated and held by three double rows of pearls, which are held up with sequined buttons

"Robe à l'Anglaise, the bodice laced in the back, the skirt is tucked up,* the sleeves of a color different from that of the Gown, the whole edged with a very narrow ribbon of any desired color." (1784)

Cecilia Chancellor by Oberti Gili for New York Magazine March 1998