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Mystical: The isolated Rodel Saltmarsh on the Isle of Harris, in Scotland's Outer Hebrides, UK

Pictured: The dramatic beauty of Britain's landscapes as you've never seen them before

Isle of Harris, Outer Hebrides, Scotland by David Clapp. Wonderful bodies of water and the perfect place to photography skills.

Google Image Result for http://www.filmsnotdead.com/wp-content/uploads/2012/04/H4TUD00Z.jpg

Spiral Stairs

This is a photo of a nautilus, it has a spiral, which fits for shapes. The image is also black and white. Up close and rule of thirds would be two other elements present in the picture.

Wing of a dragonfly, detail: Photography by Rolf Müller The wing shows a interesting structure: there are cells with a certain angle (120° and 90°). look up Fibonacci's Fractals

Wing of a dragonfly, detail: Photography by Rolf Müller The wing shows a interesting structure: there are cells with a certain angle and look up Fibonacci's Fractals:

William Neill, a resident of the Yosemite National Park area since 1977, is  a landscape photographer concerned with conveying the deep, spiritual  beauty he sees and feels in Nature.

Fine Art Landscape and Nature Photography by William Neill

My jewelry professor taught me to look for inspiration in nature. (Fine Art Landscape and Nature Photography by William Neill)

?Fractal symmetry in nature, Kiwi? (don't know if it is truly a symmetrical fractal, but it is beautiful.. :)

The Precision-of-Design-in-Nature . as Revealed by the KIwi-Fruit-in-Cross-section; "by dennis wojtkiewicz" Science in Everyday Life retired Junior Girl Scout badge

Zander Olsen Tree, Line ‘This is an ongoing series of constructed photographs rooted in the forest. These works, carried out in Surrey, Hampshire and Wales,involve site specific interventions in the landscape, ‘wrapping’ trees with white material to construct a visual relationship between tree, not-tree and the line of horizon according to the camera’s viewpoint.’

Tree, Line by Zander Olsen. These works involve site specific interventions in the landscape, ‘wrapping’ trees with white material to construct a visual relationship between tree, not-tree and the line of horizon according to the camera’s viewpoint.

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