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Vivian Maier  La Mary Poppins de la fotografía | Fotogalería | Cultura | EL PAÍS

La Mary Poppins de la fotografía

Staten Island Ferry, 1955. Photograph: Vivian Maier/Maloof Collection

Secret selfies in the 1950s: Vivian Maier's photography – in pictures

Untitled, Vivian Maier.  "Alors elle a ouvert on œil à demi, un œil vide, terne, affreux, et qui ne regardait pas." --Victor Hugo, Le Dernier Jour du condamné.

Vivian Maier

Untitled, Vivian Maier. "Alors elle a ouvert on œil à demi, un œil vide, terne, affreux, et qui ne regardait pas." --Victor Hugo, Le Dernier Jour du condamné.

September 29, 1959, New York, NY. Photo by Vivian Maier, courtesy the Maloof Collection/Howard Greenberg Galleries

From glamorous to ordinary, Vivian Maier’s street photography captured America's mid-century urban life

http://www.motherjones.com/media/2011/04/vivian-maier-john-maloof  In class, I could not believe how great this photo was. It brings out the sheen of her jacket, her skin is flawless and it has a timeless appeal being a b/w photo.   Vivian Maier.  The Best Street Photographer You've Never Heard Of | Mother Jones

http://www.motherjones.com/media/2011/04/vivian-maier-john-maloof In class, I could not believe how great this photo was. It brings out the sheen of her jacket, her skin is flawless and it has a timeless appeal being a b/w photo. Vivian Maier. The Best Street Photographer You've Never Heard Of | Mother Jones

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