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Repliken historischer Gläser, nach einem Fund aus Nienover Nienoverbecher

Repliken historischer Gläser, nach einem Fund aus Nienover Nienoverbecher

Raphaelle Peale (1774–1825). Still Life with Cake, 1818. The Metropolitan Museum of Art, New York.  Maria DeWitt Jesup Fund, 1959 (59.166) | Peale's tightly grouped still lifes are often permeated with a delicate melancholy akin to that which characterized the life of the artist; he was an alcoholic who suffered the effects of arsenic and mercury poisoning caused by his work as a taxidermist in his father's museu

Raphaelle Peale (1774–1825). Still Life with Cake, 1818. The Metropolitan Museum of Art, New York. Maria DeWitt Jesup Fund, 1959 (59.166) | Peale's tightly grouped still lifes are often permeated with a delicate melancholy akin to that which characterized the life of the artist; he was an alcoholic who suffered the effects of arsenic and mercury poisoning caused by his work as a taxidermist in his father's museu

Replik Wikingerbecher Lausitzer Waldglas mundgeblasen nach historischen Vorlagen

Replik Wikingerbecher Lausitzer Waldglas mundgeblasen nach historischen Vorlagen

Still Life with a Skull and a Writing Quill, 1628, Pieter Claesz. (Metropolitan Museum of Art)

Still Life with a Skull and a Writing Quill, 1628, Pieter Claesz. (Metropolitan Museum of Art)

Clara Peeters (1589/1594-ca.1657) — Still Life with Façon-de-Venise Glass, Romans and a Candle,1607 (1266×1024)

Clara Peeters (1589/1594-ca.1657) — Still Life with Façon-de-Venise Glass, Romans and a Candle,1607 (1266×1024)