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El hugonote (1852), John Everett Millais

A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge, 1852 - John Everett Millais

¿Qué me quieres, amor? / Manuel Rivas ; traducción de Dolores Vilavedra

¿Qué me quieres, amor? / Manuel Rivas ; traducción de Dolores Vilavedra

The Ransom: 1860-62 - Standing on the right, a kidnapper firmly grasps the arm of a young girl while an armored knight tries to hand over precious jewels. In this theatrical painting, John Everett Millais depicted a sixteenth-century scene of a father paying ransom for his two daughters.

Millais called this painting “the picture with the dreadful blue-and-white page in the corner.” Do you agree? The Ransom, 1860 - John Everett Millais.

Prerrafaelistas Millais Regreso de la Paloma - Buscar con Google

“John Everett Millais 'The Return of the Dove to the Ark' 1851 Ashmolean Museum, Oxford

Sir John Everett Millais.

Cave to Canvas, Autumn Leaves - John Everett Millais,

Sir John Everett Millais.  Louise Jopling.  (I want this dress.)

John Everett Millais “Louise Jopling” Oil on canvas Located in the National Portrait Gallery, London, England Louise Jopling was an English painter of the Victorian era, and one of the most prominent women artists of her generation.

'Portrait of John Ruskin at Glen Finglas', John Everett Millais, 1853-54 (Private Collection)

John Ruskin painted by the Pre-Raphaelite artist John Everett Millais standing at Glenfinlas, Scotland,

Pre-Raphaelite Treasures at National Museums Liverpool

The Black Brunswicker - Millais John Everett Date: 1860 Style: Romanticism Genre: genre painting