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With little use for props, I couldn’t offer the allure of an Aladdin’s Cave. Instead I displayed art that portrayed the female form in ways that reflected my vision: a Greek statuette; Giorgione’s Sleeping Venus; Goya’s La Maja Desnuda; Rejlander’s photograph of a nude reflecting Corbet’s painting, La Source (for me, the perfect image of the Edwardian woman, whose tiny waist, generous hips and round buttocks were already considered old-fashioned).   (I Stopped Time, www.jane-davis.co.uk)

With little use for props, I couldn’t offer the allure of an Aladdin’s Cave. Instead I displayed art that portrayed the female form in ways that reflected my vision: a Greek statuette; Giorgione’s Sleeping Venus; Goya’s La Maja Desnuda; Rejlander’s photograph of a nude reflecting Corbet’s painting, La Source (for me, the perfect image of the Edwardian woman, whose tiny waist, generous hips and round buttocks were already considered old-fashioned). (I Stopped Time, www.jane-davis.co.uk)

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