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Hubert Robert, The Obelisk, 1787/88 on ArtStack #hubert-robert #art

Hubert Robert (French, The Obelisk, Oil on canvas 100 x 88 inches

Hubert Robert, Interior of the Temple of Diana

Interior of the Temple of Diana at Nimes, by Hubert Robert. This painting displays a ruined temple. It shows how nature changes all man-made things, and that it is greater than even the mightiest temple.

Hubert Robert (1733–1808), The Landing Place, 1788, oil on canvas. The Art Institute of Chicago, Gift of Richard T. Crane.

Hubert Robert (1733–1808), The Landing Place, 1788, oil on canvas. The Art Institute of Chicago, Gift of Richard T. Crane.

Hubert Robert ~ The Grande Galerie of the Louvre | Tutt'Art@ | Pittura * Scultura * Poesia * Musica |

Hubert Robert ~ The Grande Galerie of the Louvre

Hubert Robert ~ The Grande Galerie of the Louvre | Tutt'Art@ | Pittura * Scultura * Poesia * Musica |

The Portico of a Country Mansion Hubert Robert  (French, Paris 1733–1808 Paris) Date: 1773 Medium: Oil on canvas

Perfectly Chaotic The Portico of a Country Mansion Hubert Robert (French, Paris Paris) Date: 1773 Medium: Oil on canvas This painting commissioned by a financier, Jean-François Bergeret de.

Hubert Robert - Ruins with an obelisk in the distance (1775)

Hubert Robert - Ruins with an obelisk in the distance,

Piazza with Obelisk - Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580) - Pen and brown ink, washed with gray - Dim: 7-1/2 x 10 in. (19.1 x 25.4 cm).

Piazza with Obelisk - Anonymous, Italian, century (Italian, active Central Italy, ca.

Hubert Robert - La violation des caveaus des rois de France à St Denis, 1793

The violation of the tomb of the Kings beneath Saint-Denis by the revolutionaries (La Violation des caveaux des rois dans la basilique de Saint-Denis en octobre circa 1793 by Hubert Robert (Musée Carnavalet)

The Athenaeum - Caprice of the Roman Capitol (Hubert Robert - )

"Vue pittoresque du Capitole" Hubert Robert, Musée des Beaux-Arts, Valenciennes - In place of the Obelisk, the statue of Marcus Aurelius, the only reference that justifies the title of the painting: everything else does fall within the picturesque.

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