This picture shows figure and ground, with the white acting as 'ground' and the red acting as the 'figure'. With both of them together, we can recognise the words which states "Fire Engine Access".

This picture shows figure and ground, with the white acting as 'ground' and the red acting as the 'figure'. With both of them together, we can recognise the words which states "Fire Engine Access".

OKAY- Just whipped this up quickly and drew the poses at school but I hope it helps. My experience with poses: last time I did anything with explaining poses was this: lol 2 years ago : ) Here are ...

OKAY- Just whipped this up quickly and drew the poses at school but I hope it helps. My experience with poses: last time I did anything with explaining poses was this: lol 2 years ago : ) Here are ...

More practice x3 References by: ... Wonder if I forgot someone... *Stares*... Urgh, anyway! More art practice:

More practice x3 References by: ... Wonder if I forgot someone... *Stares*... Urgh, anyway! More art practice:

This picture shows very exaggerated poses to convey the character's emotions. Due to this, it is immediately clear what the character is feeling.

This picture shows very exaggerated poses to convey the character's emotions. Due to this, it is immediately clear what the character is feeling.

As an artist - especially a portrait artist - you have to become very familiar with the human skull. It is the foundation of the face. If you are ever going to accurately capture someone's likeness, you need to understand what lies beneath their skin. This also applies to figure drawing.  We as artists must understand the human skelton as a whole.  - Aljulew

As an artist - especially a portrait artist - you have to become very familiar with the human skull. It is the foundation of the face. If you are ever going to accurately capture someone's likeness, you need to understand what lies beneath their skin. This also applies to figure drawing. We as artists must understand the human skelton as a whole. - Aljulew

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