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Golden Mean Ratio: The golden ratio describes the relationship between two proportions. Very similar to nature it follows the 1:1.61 Ratio.

Golden Mean Ratio: The golden ratio describes the relationship between two proportions. The ratio between subsequent Fibonacci numbers approaches the Golden Ratio, denoted by the Greek letter Phi.

Formas, fondos, figuras y cosas locas que me gustan solo a mi.

Dark Side of Typography

Fibonacci sequence in nature

you will give a human form to the economy. The Fibonacci sequence in beauty is found in the human face. The most beautiful people have faces that closely adhere to this proportion.

Phi spirals are the proportions of the 5 sided pentagon the geometry of which is nested within the icosahedron, dodecahedron, DNA and the human body. Work Pentagon into more outer picture.

sacred geometry

They are geometrical forms which are said to act as a template from which all life springs. They are named after the ancient Greek philosopher Plato. To the Greeks, these solids symbolized fire, earth, air, spirit (or ether) and water.

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As I approach, it bestirs itself and moves deeper into the thorny. - but does it float // Filed under joel shapiro, painting, drawing, david mitchell

A collection of 3D fabrics that fold, fracture and turn three-dimensional, derived from the flat printed pattern. The textiles are made in a unique process, in which the printed image defines the fabric’s dropping and folding. The light, elastic textiles are dyed and then screen printed with an inflexible material that indicates the nature of the fabric’s movement and creates a new, three-dimensional textile structure. -- Mika Barr

A collection of fabrics that fold, fracture and turn three-dimensional, derived from the flat printed pattern. The textiles are made in a unique process, in which the printed image defines the fabric’s dropping and folding. The light, elastic textiles a

Universal Mathematics

“ Universal Mathematics: The formula of the Locked Potentials in Universal Ratios by Walter Russell ”

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