Dead Heads: an American Subculture [ML421.G72 D43 2005] Sociologist Rebecca Adams analyzes Grateful Dead fans, known as Deadheads, from a sociological viewpoint. She applies social theorist Georg Simmel's ideas to define the subculture and examine its structure, symbols and values.
Alaska: Spirit of the [Wild F901 .A5 2002] A look at the Alaskan wilderness throughout the year, from the harsh winters to the rejuvenating spring, and the animals (including its human residents) who learn to adapt to the extremes of Alaskan weather. Director: George Casey Writer: Mose Richards Stars: Charlton Heston
Kinsey [PN1997 .K551 2005] Kinsey is a portrait of a man driven to uncover the most private secrets of the nation, and journey into the mystery of human behavior. His 1948 book Sexual Behavior in the Human Male irrevocably changed American culture and created a media sensation.
Kill Bill Vol. 2 [PN1995.9.A3 K5 2004] The Bride continues on her deadly pursuit of her former partners in the Deadly Viper Assassination Squad, who, in a furious assult, attempted to murder her and her unborn child on her wedding day. As the Bride faces off against allies-turned-nemeses Budd and Elle, she flashes back to the day of her deadly wedding. We learn how she was recruited and trained and about her relationship with Squad leader Bill.
Magnolia [PN1997.M25 A543 2000] Magnolia is a mosaic of American life woven through a series of comic and poignant vignettes. Nine people will weave and warp through each other's lives on a day that builds to an unforgettable climax.
Mansfield Park [PN1997 .M367 2004] Fanny is an impoverished young woman, snubbed by society, who earns the respect and love of her cousin in this BBC mini-series adaptation of the Jane Austen classic set in 19th century England.
The 5 Communication Secrets that Swept Obama to the Presidency [PN4129.15 .F58 2009] The video incorporates passages from many of President Obama's finest speeches and uses these examples to explore tone of voice; body language; verbal language; message content and fluency in visual, auditory, and kinesthetic communication styles