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norwegian visual artist andreas lie merges verdant landscapes and photographs of animals to creates subtle double exposure portraits. snowy mountain peaks and thick forests become the shaggy fur of wolves and foxes, and even the northern lights appear through the silhouette of a polar bear. lie is undoubtedly influenced by his surroundings in bergen, norway, a coastal city surrounded by seven mountains

norwegian visual artist andreas lie merges verdant landscapes and photographs of animals to creates subtle double exposure portraits. snowy mountain peaks and thick forests become the shaggy fur of wolves and foxes, and even the northern lights appear through the silhouette of a polar bear. lie is undoubtedly influenced by his surroundings in bergen, norway, a coastal city surrounded by seven mountains

I saw these trees all through England. So fascinating. Christmas in York, England (scheduled via http://www.tailwindapp.com?utm_source=pinterest&utm_medium=twpin&utm_content=post406467&utm_campaign=scheduler_attribution)

chalk and charcoal drawing of a lion - Day 326 of my 366 Drawing Project by secrets-of-the-pen.deviantart.com on @DeviantArt

This image again from the Newcastle Libraries collection on flickr was a very strong contender for the poster for the play, the light is amazing and the image of the flock of sheep coming under the bridge past the 1950s cars is very arresting, along with the lamp forming on the round about. Although there is a mention in the play of sheep being herded along Broad Chare, it was felt that this image was very much of a particular era that wasnt a key time setting for the play.

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