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Artist Matt Brown says, 'We were running a bit short on shelving in the kitchen and wanted somewhere we could store all the preserves we’re going to make from the garden this year, so we went to the timber yard to see what they had. They had this, 155cm long piece of chestnut. It was pretty heavily cracked and pitted, with knotholes and so on. But, I had a plan. Resin inlay. A technique traditionally used with a colour-matched epoxy to the wood, to give an ‘invisible’ repair. I’m ...

Artist Matt Brown says, 'We were running a bit short on shelving in the kitchen and wanted somewhere we could store all the preserves we’re going to make from the garden this year, so we went to the timber yard to see what they had. They had this, 155cm long piece of chestnut. It was pretty heavily cracked and pitted, with knotholes and so on. But, I had a plan. Resin inlay. A technique traditionally used with a colour-matched epoxy to the wood, to give an ‘invisible’ repair. I’m ...

Not so long ago we wrote about the beautiful river- and lake-like desks by Greg Klassen, and today we have a similar but not less stunning layered glass table design by Duffy London - the Abyss table, which is created in a way that mimics the depths of the oceans. This unique table uses multiple layers of stacked glass and wood, completing the table as a three-dimensional representation of a geological map.

Not so long ago we wrote about the beautiful river- and lake-like desks by Greg Klassen, and today we have a similar but not less stunning layered glass table design by Duffy London - the Abyss table, which is created in a way that mimics the depths of the oceans. This unique table uses multiple layers of stacked glass and wood, completing the table as a three-dimensional representation of a geological map.