Modern bookbindings - Współczesne introligatorstwo

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four pieces of yellow paper sitting on top of a white table next to each other
Mechthild Lobisch – Meisterin der Einbandkunst | Art Aurea
Books designed by bookbinder Mechthild Lobisch
an open book with blue and red designs on it
OPEN • SET Competition Winners
OPEN • SET Competition Winners – American Bound
an open book with black and white designs on the cover, which reads alb ert cam us la pes te
(#38) Camus, Albert
camus, albert la peste. paris, ||| other ||| sotheby's pf1453lot7h89pen
an open book sitting on top of a white table
a book with the words call cram mes written on it's cover
Auction.fr
Guillaume APOLLINAIRE - Giorgio DE CHIRICO - CALLIGRAMMES - Paris..., mis en vente lors de la vente "Bibliothèque Fougères : Livres Illustrés et Reliures du 20e siècle - Paul Bonet, 1949
an open book with multicolored letters on the front and back cover that reads, apl nai nai cram mes
(#272) Chirico, Giorgio de--Apollinaire, Guillaume.
an open book with the words fonora written in black and white on it
Hayuko Cuero & Papel - Artesanía en cuero y papel - Page 2
Enlace a la pagina de Eduardo Giménez Burgos, primer Premio Nacional de Encuadernación Artística 2014. Link to page Eduardo Gimenez Burgos, first National Award for Artistic Binding 2014.
a black and white photo with lines drawn on it's side, in the shape of a book
Ignatz Wiemeler
an open book with blue and red lines on the cover, sitting on a white surface
Ignatz Wiemeler – Modern Bookbinder
Ignatz Wiemeler – Modern Bookbinder
a green book with red lines on the front and back cover is open to show an image of mountains
ARA-Couleur du vent
The Color of Wind
three folders are stacked on top of each other in black and yellow leather covers
two pieces of wood with holes in the middle and one piece cut out to look like footprints
Design binding, full leather, mosaic and wall lights of acrylic by Sol Rebora.
the back side of a blue and green book with an intricate design on it's cover
Michel BUTOR / La Modification / un des 45 sur pur fil, seul grand papier, avec la gravure d’Enrique Zanartu en frontispice / reliure « À la belle reliure parisienne » signée J. de Gonet [1999] : plats de veau bleu outremer estampés du motif architectural des pierres de la Porte St-Martin, 2 baguettes d’ébène verticales, dos gris de même motif, gardes de papier anthracite, boîte-étui assortie. Seul exemplaire de ce chef-d’œuvre du Nouveau Roman relié par J. de Gonet.