Southeast asian culture

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an artistic painting with many colors and designs

The Beauty Of Labour 3 Yeanni Koo’s work inspired by the naïve as well as the pure and innocence qualities found in folk art and children art. The spontaneous and unconstrained quality of Koo’s work came from her love in folk art and years of observation when teaching children art. Koo embraces the everyday life, history, tradition and various cultural aspects of her native land through a series of vibrant painting, collage and embroidery pieces. They record and preserve mainly social…

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Southeast Asian countries national costumes are listed here. This collection of ASEAN attire for female and male well presents the difference of the nations

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Beautiful girls in ASEAN countries and their national costumes. Every country has its own unique culture. Whether it is in terms of dress, food, traditions, culture, living, customs. And most importantly, people in that nation must be proud of what they are and what they have. and bring those Continue to develop the best Then we will see the value of ourselves and the nation.

Beautiful girls in ASEAN countries and their national costumes. Every country has its own unique culture. Whether it is in terms of dress, food, traditions, culture, living, customs. And most importantly, people in that nation must be proud of what they are and what they have. and bring those Continue to develop the best Then we will see the value of ourselves and the nation.

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clothing inspiration

It is represent the traditional dresses from South Asia which are India, Pakistan, Afghanistan, Nepal, Bhutan. Bangladesh, Maldives and Sri Lanka....

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three women standing on top of a hill with mountains in the background

Vietnam is the homeland of many nationalities. All are descendants of Lac Long Quan and Au Co, hatching out of a hundred eggs, half of them following their mother to the mountain, the other half accompanying their father to the sea.

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Ifugao Leaders

Village elders posing for a few dollars at lookout over Banaue Valley and the Rice Terraces in Ifugao Province, Northern Luzon Island, Philippines in 1985. I gave them a dollar or two and felt resentful. I was quite wrong and should have given more. (I also wish that I had taken more shots and used the light meter more than I did). The fence railing was less than a metre high.

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