Francis picabia
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Sans titre (Transparence) signed 'Francis Picabia' (lower left) pen and ink and pencil on paper 18.8 x 14.2cm (7 3/8 x 5 9/16in). Executed circa 1930 - 1931

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L’Oeil is one of Picabia’s most refined machinist compositions, works made by the artist between 1915 and 1920 that encapsulate the modern machine aesthetic. These pictures rely heavily upon the artist’s use of symbolism to represent human situations, where a machine or machine parts are often appropriated to invoke sexual interaction. “The machine has become more than a mere adjunct of human life,” he proclaimed during the time of his second visit to the United States in 1915. “It is really…

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Bei wieder steigenden Corona-Fallzahlen erscheint das Atelier ein geeigneter Ort, um Social Distance mit Sinn zu füllen. Doch ein Blick in die Geschichte zeigt: Im Studio sind Künstler und Künstlerinnen nie ganz allein

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Francis Picabia (French, 1879-1953), Untitled, 1932. Ink and crayon on paper, 63.5 x 49.2 cm.
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The Collection of Leslie Waddington, the pioneering art dealer, to be offered as a highlight of Frieze Week in London
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