Eva hesse

Guggenheim Museum conservators restored Hesse's latex sculpture to more closely resemble its original form, pointing to questions about Hesse's ideas on Process Art and material instability.

I think its very easy to read the content of Hesse’s work as abject, the first work looks like egg sacks (the monstrous maternal), pendulous breasts (female, monstrous and aged), or droplets …

Introduction It’s possible to create a piece of remarkable art from just about anything. If you doubt that, then you have probably not encountered Repetition…

In our regular feature Collection Rotation, a guest selects from SFMOMA’s collection works online. This fall artists with Bay Area ties take over the series. In addition to their rotations, we asked each artist to answer poet Robert Duncan’s request to students in his 1958 Workshop in Basic Techniques and provide us with a set […]

This brief essay from Phaidon's Art in Time shows us some of the key artists of this significant movement, whose conceptual as well as aesthetic strategies remain important to this day.

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Eva Hesse

Eva Hesse, New York Times, best art book, drawings

Eva Hesse. No title. 1960–61. Gouache and ink on paper. 5 x 4 1/2" (15.2 x 11.4 cm). Gift of Tony Ganz in memory of Sally Ganz and her friendship with Robert Storr. 495.1997. © 2024 Reproduced with the permission of the Estate of Eva Hesse. Galerie Hauser & Wirth, Zurich. Drawings and Prints