Corporate photography lighting setup

Setup for studio portraits from this photo session. / Detailed info on this photo & setup on my blog / Lighting info Main light from a Profoto ComPact 600R in a 5 foot Octabox (150 cm) very close to models, just out of frame camera right. Another flash behind the model to light the background and the last one aimed towards the camera to create a rim light and light the side of the model via a white screen. Lighting setup diagram based on Kevin Kertz design. www.kertzdesign.com Please visit…

Behind the scenes of corporate headshots with award winning wedding photographer, Terry Gruber

. Our first light is a Dynalite Pack (MP800) and a studio head with a large Photoflex soft box. I add a grid to the soft box because the room is small, and I need to keep all of the light off the surrounding walls and ceiling.

Lighting Setup - Mother Child portrait w blue background.

Nikki Closser is the leading authority on personal branding photography. Get her constant light setup for your on location headshots!

Before & after. A behind the scenes look a the camera and lighting setup used for a corporate interview we produced in Miami, FL. For this setup we used 3 point lighting as well as the natural light coming from the windows behind the subject.

... one hair light on camera left to give some hair and jaw line shape, and one background light which is hiding behind the fill reflector.

Hi and welcome back. Right after I got home from CA, I had a corporate headshot sitting. For this type of shot, I usually use a three light setup: Key light with a reflector Hair light Background l…

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When acquiring a Business Portraiture client it’s always best to know before hand how the client will use the image so you can light accordingly.

Have you ever bought a piece of gear that promised to revolutionize your work or be the exact tool you needed just to find that it was a total dud? We all have those pieces sitting at the bottom of our gear closet that irk us every time they come in view. Alternately, we also all have pieces that have become our indispensable go-to’s that we can’t image shooting without. I