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from British Vogue

What's New In The Old World Of Couture?

RALPH & RUSSO is not only the sole British house on the couture schedule, but is also one of the more recent additions, which is perhaps why the label is so keen to constantly evolve and challenge conventions. Vogue gets a preview ahead of the show next week

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from British Vogue

What's New In The Old World Of Couture?

RALPH & RUSSO is not only the sole British house on the couture schedule, but is also one of the more recent additions, which is perhaps why the label is so keen to constantly evolve and challenge conventions. Vogue gets a preview ahead of the show next week

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from British Vogue

What's New In The Old World Of Couture?

RALPH & RUSSO is not only the sole British house on the couture schedule, but is also one of the more recent additions, which is perhaps why the label is so keen to constantly evolve and challenge conventions. Vogue gets a preview ahead of the show next week

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from British Vogue

What's New In The Old World Of Couture?

RALPH & RUSSO is not only the sole British house on the couture schedule, but is also one of the more recent additions, which is perhaps why the label is so keen to constantly evolve and challenge conventions. Vogue gets a preview ahead of the show next week

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from British Vogue

What's New In The Old World Of Couture?

RALPH & RUSSO is not only the sole British house on the couture schedule, but is also one of the more recent additions, which is perhaps why the label is so keen to constantly evolve and challenge conventions. Vogue gets a preview ahead of the show next week

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5/30/15 This is so lovely. the bodice has actual pieces of what look like see through leaves or feathers. and then they gradually fade away at the hip. Then the fabric of the skirt has a print of the same leaves/feathers. That is a very imaginative design

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from The confashionary

The Icing on the Cake

2013, Giambattista Valli Haute Couture. The wide and low neckline, the higher waistline and the hair style is similar to the extravagant fashions of the 1820s and 1830s.

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from Madame Figaro

Raf Simons, l'art de créer

DIOR - THIS is why couture is different. The underlying structure of the gown is what makes it look like it does on the wearer. We who sew are in a singular position to create this for our own bodies!

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1951 - Vintage Christian Dior dress. Some of the Croft Mill team think that this bow is just too big, what do you think?

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