The Jealous Curator /// curated contemporary art /// gregory euclide

The Jealous Curator /// curated contemporary art /// gregory euclide

by Antony Gormley. [Image #4 of Week: Feb. 10th - 14th]. I really like this image because it's like a human caterpillar, a person taken over by dark feeling left only to stand and attack others. I wonder what he meant by this sculpture, it's kind of depressing.

by Antony Gormley. [Image #4 of Week: Feb. 10th - 14th]. I really like this image because it's like a human caterpillar, a person taken over by dark feeling left only to stand and attack others. I wonder what he meant by this sculpture, it's kind of depressing.

This black frame highlights the shower but doesn't overpower what is a small space. Love it.  #black #showers #enclosures

This black frame highlights the shower but doesn't overpower what is a small space. Love it. #black #showers #enclosures

Whoa. This is the beautifully bizarre, neon-hued, organic organism-ish work of Manila-born, Texas based artist Dan Lam. I already know what you’re thinking… ‘what? how?’ Let me answer you… she uses po

Whoa. This is the beautifully bizarre, neon-hued, organic organism-ish work of Manila-born, Texas based artist Dan Lam. I already know what you’re thinking… ‘what? how?’ Let me answer you… she uses po

Banksy pulled off an audacious stunt to produce what is believed to be his biggest work yet in central London. The secretive graffiti artist managed to erect three storeys of scaffolding behind a security fence despite being watched by a CCTV camera. (Banksy, 2008)

Banksy pulled off an audacious stunt to produce what is believed to be his biggest work yet in central London. The secretive graffiti artist managed to erect three storeys of scaffolding behind a security fence despite being watched by a CCTV camera. (Banksy, 2008)

Britt Bass and Morgan Blake: Morgan’s photos are actually printed on transparencies, and then laid over Britt’s painted canvas.

Britt Bass and Morgan Blake: Morgan’s photos are actually printed on transparencies, and then laid over Britt’s painted canvas.

Grayson Perry: "I love fakes for they make us think about what it is we see in the authentic. About how much of our awe in front of a great historical artefact is in its inherent beauty and how much is to do with its auspicious provenance."

Grayson Perry: "I love fakes for they make us think about what it is we see in the authentic. About how much of our awe in front of a great historical artefact is in its inherent beauty and how much is to do with its auspicious provenance."

contemporary "art that has been and continues to be created during our lifetimes."

contemporary "art that has been and continues to be created during our lifetimes."

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