i chose this image because i like how it captures the different times of day, and the colours look amazing together. there is light getting in, but also in the dark parts of the image, there isn't a lot of light getting in
Ken Russell's London...The director of Tommy and Women In Love was a freelance photographer before going into films. He lived in west London in the 1950s and made the area around Portobello and its inhabitants a favourite subject.
Resting the camera on the dashboard of the car to keep it relatively stable would be a good approach. Then it's just the car's movement and the cars outside that will create the blur and not camera shake. This will have to be experimental as far as shutter speeds and exposure are concerned. Obviously night time would work best if I am going to record light streaks. The camera pointing at back seat and kids with blur outside?