"The Old Man and the Old Moon" set. Patricia said she loved the style of this for the play. It might be a little too rustic for a NYC apartment but I get the 'storytelling' style of it.  It would work well in our black box theater.

"The Old Man and the Old Moon" set. Patricia said she loved the style of this for the play. It might be a little too rustic for a NYC apartment but I get the 'storytelling' style of it. It would work well in our black box theater.

All sizes | posizione luci 2 | Flickr - Photo Sharing!

Lighting tutorial on the differences the placement of lights has on the perception of character to audience. Nice basic info for stage design!

Useful space: designs by Es Devlin include Act 3 of 'Faust' at the Semperoper in Dresden

Es Devlin: 'Get set, go!'

Stage design with large metal frames, trees and atmospheric lighting; designs by Es Devlin include Act 3 of 'Faust' at the Semperoper in Dresden

The Hobbit. Redgrave Theatre, Farnham. Scenic design by Colin Winslow.

It uses the exact same main set piece and looks different every time. Lighting and the backdrop work perfectly to set each individual scene.

The lighting represents freedom of soul. Elevation above the bonds of society, simple and direct side distribution.

Something of the imaginary, for a contrast to reality - lifted motorway/ cars/ characters/ telephone poles etc. Scenic Design for Oedipus Rex

The vision for LX 30- somewhat unrealistic. but shadows in the background. LS 31 front light as well.

The vision for LX somewhat unrealistic. but shadows in the background. LS 31 front light as well. --- I like the shadow imagery in this picture. Especially how one image is very focused and the rest are faded, creates an interesting effect.

Butoh performance by Ximena Garnica; stage design by Shige Moriya by Asian Art Museum, via Flickr

stage design: shige moriya // butoh performance by ximena garnica // asian art museum // photo: deborah clearwaters

The Caretaker by Harold Pinter. Venue : Theatr Genedlaethol Cymru. Set by Sean Crowley. 2010. Society of British Theater Designers.

The Caretaker Company: Theatr Genedlaethol Cymru Venue: Welsh Theatres Year: 2010 Author: Harold Pinter Costume Design by: Sean Crowley Set designed by: Sean Crowley

Artist Journal, Carbon Obscura, Lloyd Godman  gosto desse jeito da luz vazar por algo, e se for uma luz azul ;)

Artist Journal, Carbon Obscura, Lloyd Godman gosto desse jeito da luz vazar por algo, e se for uma luz azul ;) light through holes in a solid black sheet. love the light rays it makes -Ashley

Christian Boltanski, Théâtre d'ombres (Theatre of Shadows)

The composition doesn't look so scary, more like puppets, the large shadows on the other hand are. Christian Boltanski, Théâtre d'ombres (Theatre of Shadows)

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