Shellac Flakes 1kg - Multifilla

Shellac Flakes 1kg - Multifilla

Mixing and Using Shellac Flake

Mixing and Using Shellac Flake

Talas - Shellac Flakes Available in three grades: No.1-lemon flake shellac, the most common tone, often referred to as "orange shellac.  Crystallac #1100- dewaxed natural shellac flakes of darker tone than No. 1 lemon flake, suitable for French polishing.  Crystallac #500- super blond dewaxed natural shellac flake produces equally hard finish as Crystallac #1100 but does not have an orange hue.

Talas - Shellac Flakes Available in three grades: No.1-lemon flake shellac, the most common tone, often referred to as "orange shellac. Crystallac #1100- dewaxed natural shellac flakes of darker tone than No. 1 lemon flake, suitable for French polishing. Crystallac #500- super blond dewaxed natural shellac flake produces equally hard finish as Crystallac #1100 but does not have an orange hue.

An excellent source for  shellac flakes on the Oregon coast.  They have eight varieties and  prices are less than other suppliers.

An excellent source for shellac flakes on the Oregon coast. They have eight varieties and prices are less than other suppliers.

SHELLAC Flake, Button & SeedLac | Page 1 of 1

SHELLAC Flake, Button & SeedLac | Page 1 of 1

Use canning jars for inexpensive storage containers for your wood finishes, hide glues, and shellac flakes. These are great, they are air tight, and will not break your budget.

Use canning jars for inexpensive storage containers for your wood finishes, hide glues, and shellac flakes. These are great, they are air tight, and will not break your budget.

PlumSiena: What a Wall! Emily Swift-Jones She began with a normal, painted wall, smoothed it out with joint compound, primed with shellac and then went to town. The steps included Dutch metal gold leaf, patinating the gold leaf, glazing with oil colours and varnishing for the top coat. At the end, she embedded tiny glitter flakes into the tacky varnish.

PlumSiena: What a Wall! Emily Swift-Jones She began with a normal, painted wall, smoothed it out with joint compound, primed with shellac and then went to town. The steps included Dutch metal gold leaf, patinating the gold leaf, glazing with oil colours and varnishing for the top coat. At the end, she embedded tiny glitter flakes into the tacky varnish.

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