Devi (The Goddess), 1960: Ray often turned his camera on the dilemmas of women and their position in society. Here, a hallucinatory design illustrates a pivotal scene in his 19th-century period study of religious superstition, when an elderly man dreams his daughter-in-law is the embodiment of the Hindu goddess Kali. Here, the division of the young girl’s face represents her split identity.
Looking Beyond: Graphics of Satyajit Ray Paperback – 24 Oct 2012
Looking Beyond: Graphics of Satyajit Ray Paperback ? 24 Oct 2012
Scans of my collection of ephemera. Julia Rosa Clark.
Satyajit Ray: The Inner Eye (Paperback) by Precision Series
Precision Series Satyajit Ray: The Inner Eye
Film historian Peter Cowie recalls his encounters with Satyajit Ray, including part of a letter from the director and a wonderful photo of Ray, Akira Kurosawa, and Michelangelo Antonioni touring The...
“When I heard of the death of Marlon Brando, my mind went back to the priceless conversation I had anchored between Satyajit Ray and Marlon Brando in 1967, when Brando came to Delhi as ambassador for...
Ahana Sen Gupta, Kolkata: Bengal has always been acclaimed as the melting pot of culture and theatrical talents. The land of Tagore has given birth to stalwarts like Satyajit Ray, Ritwik Ghatak, Mrinal Sen, Rituporno Ghosh. The legacy continues with new age directors and artists proving their...
CHARULATA (1964) DP: Subrata Mitra | Dir: Satyajit Ray
Cine. "Satyajit Ray on Cinema". Edited by Sandip Ray. Columbia University Press. One of the greatest auteurs of twentieth century cinema, was a Bengali motion-picture director, writer, and illustrator who set a new standard for Indian cinema with his Apu Trilogy. https://es.wikipedia.org/wiki/Satyajit_Ray