Then there's Audrey Hepburn, the ultimate ingenue. She could look totally mod, or she could look like a princess, and she had a way about her, a good-natured humour that could carry off and make you forgive the most superficial plot (Sabrina, anyone?).
Catherine Deneuve in Repulsion (1965, dir. Roman Polanski). “My aim was to show Carole’s hallucinations through the eye of the camera, augmenting their impact by using wide-angle lenses of progressively increasing scope. But in itself, that wasn’t sufficient for my purpose. I also wanted to alter the actual dimensions of the apartment — to expand the rooms and passages and push back the walls so that audiences could experience the full effect of Carole’s distorted vision. ♥ ♥ ♥ ♥ ♥ ♥/6