"“never again” This image is one of the most powerful pro-choice images I’ve ever seen. When I saw it in the newspaper I immediately cut it out and hung it on my wall. This is not my image. I’m using it with permission from Arthur Newspaper
Marathon (1968) Marathon came to the UK courtesy of Forrest Mars Sr, estranged from the family business in the States, but free to adapt the recipes for European tastes. Aside from his eponymous bar packed with milk, sugar, glucose, and thick, thick chocolate, Mars' Slough-produced cash cow was a peanut-powered derivative of the American Snickers (the name was apparently tribute to the Mars family's favourite horse) 'brand alignment' saw Marathon adopt its maiden name in 1990
This picture makes me think of multiple personalities. I think that we could recreate this, by placing the clowns around her, but moving in the same position as each other to show that they are one entity.
It’s in this period that Freud’s brushstrokes become increasingly forceful, and the volume of paint on the canvas increases, so that it seems to almost shape the contours of skin or hair . In the portrait of the artist Frank Auerbach, his powerful forehead dominates the canvas. The two men had been friends since the mid-1950s, were great admirers of each other’s work and saw each other frequently. It was at the time he made this portrait that Freud began to use Cremnitz white, a dry…