Power, Corruption & Lies, New Order (Factory, 1983). “The title seemed Machiavellian. So I went to the National Gallery looking for a Renaissance portrait of a dark prince. In the end, it was too obvious and I gave up for the day and bought some postcards from the shop. I was with my girlfriend at the time, who saw me holding a postcard of the Fantin-Latour painting of flowers and said, ‘You are not thinking of that for the cover?’ It was a wonderful idea."