A fonte de Duchamp (1917). "Quando Marcel Duchamp desloca objetos de seus contextos cotidianos e os coloca no contexto da galeria e do museu, conforme a proposta do readymade, é a esfera da arte da tradição ocidental que se encontra em questão, investida como é de um caráter sagrado e dotado de valor de culto." Leia mais em: http://incinerrante.com/arte-e-profanacao/

A fonte de Duchamp (1917). "Quando Marcel Duchamp desloca objetos de seus contextos cotidianos e os coloca no contexto da galeria e do museu, conforme a proposta do readymade, é a esfera da arte da tradição ocidental que se encontra em questão, investida como é de um caráter sagrado e dotado de valor de culto." Leia mais em: http://incinerrante.com/arte-e-profanacao/

Saatchi Art Artist David Thomas; Painting, "Marcel Duchamp Ascending a Staircase 2 " #art (Woolf)

Saatchi Art Artist David Thomas; Painting, "Marcel Duchamp Ascending a Staircase 2 " #art (Woolf)

Marcel Duchamp - Marcel Duchamp's iconic installation Sixteen Miles of String (above) was conceived for the influential First Papers of Surrealism exhibition held in New York in 1942.

Marcel Duchamp - Marcel Duchamp's iconic installation Sixteen Miles of String (above) was conceived for the influential First Papers of Surrealism exhibition held in New York in 1942.

Tu m',1918, Marcel Duchamp

Tu m',1918, Marcel Duchamp

Marcel Duchamp, Moulin à café [Coffee Mill], 1911, Oil and pencil on board, 330 x 127 mm. © Succession Marcel Duchamp/ADAGP, Paris and DACS, London 2002

Marcel Duchamp, Moulin à café [Coffee Mill], 1911, Oil and pencil on board, 330 x 127 mm. © Succession Marcel Duchamp/ADAGP, Paris and DACS, London 2002

Gerhard Richter- look at the hint of a landscape. Torn apart, but in paradise colours. Don't love the brightnes of this one, but the starkness of the dragging is great.

Gerhard Richter- look at the hint of a landscape. Torn apart, but in paradise colours. Don't love the brightnes of this one, but the starkness of the dragging is great.

Pinterest
Search