Mike Nelson : La Cannibale (Parody Consumption and Institutional Critique) | To the Memory of HP Lovecraft, 2011.

To the Memory of HP Lovecraft

Mike Nelson : La Cannibale (Parody Consumption and Institutional Critique) | To the Memory of HP Lovecraft, 2011.

The Chicana/O Education Pipeline: History, Institutional Critique, and Resistance

The Chicana/O Education Pipeline: History, Institutional Critique, and Resistance (Paperback)

The Chicana/O Education Pipeline: History, Institutional Critique, and Resistance

READ & REPIN this article about the ...  "Shocking 'Extermination' Fantasies By the People Running America's Empire on Full Display at Aspen Summit."  It Is Time for tax-paying, spied-upon Americans, to shine the light on those who want to keep us in the dark!    http://www.alternet.org/tea-party-and-right/shocking-extermination-fantasies-people-running-americas-empire-full-display

READ & REPIN this article about the ... "Shocking 'Extermination' Fantasies By the People Running America's Empire on Full Display at Aspen Summit." It Is Time for tax-paying, spied-upon Americans, to shine the light on those who want to keep us in the dark! http://www.alternet.org/tea-party-and-right/shocking-extermination-fantasies-people-running-americas-empire-full-display

The milestone exhibition “Information,” which opened in 1970, helped to introduce Conceptual art to American audiences. It featured works by an international range of artists—some of them, like Adrian Piper, making their museum debuts—and all asking, according to curator Kynaston McShine, how to create an art that could reach broader audiences than those typically interested in contemporary art. Information featured Hans Haacke’s famous “MoMA-Poll,” a foundational example of institutional…

The milestone exhibition “Information,” which opened in 1970, helped to introduce Conceptual art to American audiences. It featured works by an international range of artists—some of them, like Adrian Piper, making their museum debuts—and all asking, according to curator Kynaston McShine, how to create an art that could reach broader audiences than those typically interested in contemporary art. Information featured Hans Haacke’s famous “MoMA-Poll,” a foundational example of institutional…

Mel Bochner: Measurement, 1969.  Bochner measured the empty gallery and marked off the numbers with tape. Institutional critique of the gallery itself as a social system and a cultural construction. What happens when you remove the traditional elements of the gallery, that is, the artworks, and reduce the space only to simple measurements and numbers. How does the viewer’s reaction to the space change when interacting with this piece vs. more traditional artworks?

Mel Bochner: Measurement, 1969. Bochner measured the empty gallery and marked off the numbers with tape. Institutional critique of the gallery itself as a social system and a cultural construction. What happens when you remove the traditional elements of the gallery, that is, the artworks, and reduce the space only to simple measurements and numbers. How does the viewer’s reaction to the space change when interacting with this piece vs. more traditional artworks?

Alexander Alberro - Reconsidering Institutional Critique - 15 July 2010 on Vimeo

Alexander Alberro - Reconsidering Institutional Critique - 15 July 2010 on Vimeo

Throughout their career, Elmgreen & Dragset have redefined the way in which art is presented and experienced. Drawing from disciplines as divergent as institutional critique, social politics, performance and architecture,... #art #sculpture #instalation

Throughout their career, Elmgreen & Dragset have redefined the way in which art is presented and experienced. Drawing from disciplines as divergent as institutional critique, social politics, performance and architecture,... #art #sculpture #instalation

Ibon Mainar, Digital Collages (Institutional Critique), 2014

Ibon Mainar, Digital Collages (Institutional Critique), 2014

Throughout their career, Elmgreen & Dragset have redefined the way in which art is presented and experienced. Drawing from disciplines as divergent as institutional critique, social politics, performance and architecture,...

Throughout their career, Elmgreen & Dragset have redefined the way in which art is presented and experienced. Drawing from disciplines as divergent as institutional critique, social politics, performance and architecture,...

Seth Siegelaub

Seth Siegelaub

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