Hou hsiao hsien

“Nearly every shot is framed, refracted, bisected. Mrs. Chan and Mr. Chow are distanced from themselves, each other, us. But the camera is still active, hanging back in realistic remove before tracking and panning in languorous slow motion. Two different cinematographers are at work—Christopher Doyle and longtime Hou Hsiao-hsien DP Mark Ling Ping-bin—but their styles play as two sides of the same dream. All of the images burn, then all too quickly expire.” Eric Hynes, Reverse Shot

'In the Mood for Love' (Wong Kar Wai, Cinematography by Christopher Doyle

Hou Hsiao Hsien

Hou Hsiao-Hsien is considered by many to be the greatest Taiwanese filmmaker of all time.

The Assassin. Cannes Review: Hou Hsiao-Hsien's 'The Assassin' Is An Epic Visual Poem.

Yūgen: Delicadeza y misterio. crítica a La asesina (聶隱娘, Nie yin niang, The Assassin, Hou Hsiao-Hsie.

Hou Hsiao-Hsien tried to make The Assassin with a 16mm camera · Interview · The A.V. Club

Hou Hsiao-Hsien tried to make The Assassin with a 16mm camera

Edward Yang and Hou Hsiao-Hsien.

Edward Yang and Hou Hsiao-Hsien.

hou hsiao hsien | Tumblr

three times by hou hsiao-hsien. mysterious and achingly lovely. every frame is a vision.

The Assassin (Hou Hsiao-hsien, 2015) US one sheet design

US one sheet for THE ASSASSIN (Hou Hsiao-hsien, Taiwan, Designer: TBD Poster source: Indiewire For more posters from the films of the New York Film Festival see Movie Poster of the Week at.

Festival des 3 continents: le dernier Hou Hsiao Hsien en avant-première

Festival des 3 continents: le dernier Hou Hsiao Hsien en avant-première

Hou Hsiao Hsien, Actus, Continents, Festivals

In his new kung fu epic The Assassin, Hou Hsiao-hsien finds new ways to tell a story. He explains why he doesn’t care about pleasing his audience

The Assassin director: why I gave plot the chop

Taiwanese director Hou Hsiao-Hsien talks about his latest award-winning film where the protagonist only has nine lines.

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