This image taken by Henri Cartier Bresson captures line from the left hand corner leading the eyes down the stairs to the movement by the person on the bike.

Cartier-Bresson: A master's black-and-white world

This image taken by Henri Cartier Bresson captures line from the left hand corner leading the eyes down the stairs to the movement by the person on the bike.

henri cartier-bresson. This image caught my eye straight away as I love the unique angle of the spiral staircase. It inspires me because I find the idea of up close and slowly fading away very interesting and will give me ideas and inspiration for my photography work.

Street Photography magazine

henri cartier-bresson. This image caught my eye straight away as I love the unique angle of the spiral staircase. It inspires me because I find the idea of up close and slowly fading away very interesting and will give me ideas and inspiration for my photography work.

Atrás da Estação Saint Lazare, de Henri Cartier-Bresson

Conheça Atrás da Estação Saint Lazare, de Henri Cartier-Bresson

One of the velodrome pictures from Cartier-Bresson's 1957 Six Days in Paris series. Photograph: Henri Cartier-Bresson/Magnum Photos/Fondation Henri Cartier-Bresson

Comrade Cartier-Bresson: the great photographer revealed as a communist

One of the velodrome pictures from Cartier-Bresson's 1957 Six Days in Paris series. Photograph: Henri Cartier-Bresson/Magnum Photos/Fondation Henri Cartier-Bresson

FRANCE. 1961. Paris. 14th arrondissement. Rue d'Alésia. Swiss painter and sculptor, Alberto GIACOMETTI.

Henri Cartier-Bresson: 'The Eye of the Century'

FRANCE. 1961. Paris. 14th arrondissement. Rue d'Alésia. Swiss painter and sculptor, Alberto GIACOMETTI.

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