Definition of distortion

13 Common Cognitive Distortions - Allowing negative thinking to dominate, rather than being rational, balanced & purposeful

13 Common Cognitive Distortions - Allowing negative thinking to dominate, rather than being rational, balanced & purposeful

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by Gabi Trinkaus Uses different cuttings of different faces to make up different parts of a face. It's quite creepy and surreal looking.

by Gabi Trinkaus Uses different cuttings of different faces to make up different parts of a face. It's quite creepy and surreal looking.

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tumblr_mmjeshWZdz1rvw2qpo1_500.jpg (500×647) - could do a cut up chaotic sample and then a fixed puzzle like sample to show mother fixing your feelings

tumblr_mmjeshWZdz1rvw2qpo1_500.jpg (500×647) - could do a cut up chaotic sample and then a fixed puzzle like sample to show mother fixing your feelings

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Dictionary.com’s Word of the Day - paramnesia - <em>Psychiatry</em>. a distortion of memory in which fact and fantasyare confused.,the inability to recall the correct meaning of a word.

Dictionary.com’s Word of the Day - paramnesia - <em>Psychiatry</em>. a distortion of memory in which fact and fantasyare confused.,the inability to recall the correct meaning of a word.

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Activity 2 “I did not lose myself all at once. I rubbed out my face over the years washing away my pain, the same way carvings on stone are worn down by water. ” ― Amy Tan

Activity 2 “I did not lose myself all at once. I rubbed out my face over the years washing away my pain, the same way carvings on stone are worn down by water. ” ― Amy Tan

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Jessica Rimondi I like how the paint validates the emotions and expressions within this portrait, by the limited palette it structures the shapes and forms. Then to have a deeper depth of what is trying to be convey and incorporated by the use of the paint with the techniques being able to enforce the concepts. I would like to experiment with my own developments to have a source of vivid expression, to allow the painting to speak for itself and not have any narrative connotation towards it…

Jessica Rimondi I like how the paint validates the emotions and expressions within this portrait, by the limited palette it structures the shapes and forms. Then to have a deeper depth of what is trying to be convey and incorporated by the use of the paint with the techniques being able to enforce the concepts. I would like to experiment with my own developments to have a source of vivid expression, to allow the painting to speak for itself and not have any narrative connotation towards it…

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