Ah Xian, Chinese Artist residing in Australia http://www.booooooom.com/2010/12/09/china-china-sculptures-by-ah-xian/

Ah Xian, Chinese Artist residing in Australia http://www.booooooom.com/2010/12/09/china-china-sculptures-by-ah-xian/

One of Zhang Huan’s most powerful works, Family Tree was created two years after he left China to live and work abroad, leaving behind potential persecution as well as family and friends. Dealing with issues of cultural identity, familial relationships, and self-expression, this installation creates a moving image of the isolation felt with the loss of one’s past. The artist had three Chinese calligraphers cover his face with poems, tales, tales, and family names from his homeland.

One of Zhang Huan’s most powerful works, Family Tree was created two years after he left China to live and work abroad, leaving behind potential persecution as well as family and friends. Dealing with issues of cultural identity, familial relationships, and self-expression, this installation creates a moving image of the isolation felt with the loss of one’s past. The artist had three Chinese calligraphers cover his face with poems, tales, tales, and family names from his homeland.

Identity Tapestry by Mary March. A paticipatory tapestry where participants map aspects of their identity creating this installation reflecting the complexity and interconnecting aspects of identity/ humanity.

Identity Tapestry by Mary March. A paticipatory tapestry where participants map aspects of their identity creating this installation reflecting the complexity and interconnecting aspects of identity/ humanity.

BRAZIL: PHOTOGRAPHY: HEITOR MAGNO In this series of portraits and double exposure self-portraits, Heitor uses glitch art and pixelation to convey emotions unknown. By interfering with the image and identity, what’s left is a void—an image of what is oppressed and corrupted. In totality this is a reflection of the collective, anonymous and unstable internet cultural identity. Find Heitor and MP on Facebook here and here.

BRAZIL: PHOTOGRAPHY: HEITOR MAGNO In this series of portraits and double exposure self-portraits, Heitor uses glitch art and pixelation to convey emotions unknown. By interfering with the image and identity, what’s left is a void—an image of what is oppressed and corrupted. In totality this is a reflection of the collective, anonymous and unstable internet cultural identity. Find Heitor and MP on Facebook here and here.

BRAZIL: PHOTOGRAPHY: HEITOR MAGNO In this series of portraits and double exposure self-portraits, Heitor uses glitch art and pixelation to convey emotions unknown. By interfering with the image and identity, what’s left is a void—an image of what is oppressed and corrupted. In totality this is a reflection of the collective, anonymous and unstable internet cultural identity. Find Heitor and MP on Facebook here and here.

BRAZIL: PHOTOGRAPHY: HEITOR MAGNO In this series of portraits and double exposure self-portraits, Heitor uses glitch art and pixelation to convey emotions unknown. By interfering with the image and identity, what’s left is a void—an image of what is oppressed and corrupted. In totality this is a reflection of the collective, anonymous and unstable internet cultural identity. Find Heitor and MP on Facebook here and here.

This year we launch a new Master of Art programme in Consumption, Culture & Marketing  which marks a collaboration between sociology a...

This year we launch a new Master of Art programme in Consumption, Culture & Marketing which marks a collaboration between sociology a...

BRAZIL: PHOTOGRAPHY: HEITOR MAGNO In this series of portraits and double exposure self-portraits, Heitor uses glitch art and pixelation to convey emotions unknown. By interfering with the image and identity, what’s left is a void—an image of what is oppressed and corrupted. In totality this is a reflection of the collective, anonymous and unstable internet cultural identity. Find Heitor and MP on Facebook here and here.

BRAZIL: PHOTOGRAPHY: HEITOR MAGNO In this series of portraits and double exposure self-portraits, Heitor uses glitch art and pixelation to convey emotions unknown. By interfering with the image and identity, what’s left is a void—an image of what is oppressed and corrupted. In totality this is a reflection of the collective, anonymous and unstable internet cultural identity. Find Heitor and MP on Facebook here and here.

Pinterest • The world’s catalogue of ideas
Search