A red double-decker bus passing in front of the Houses of Parliament and Big Ben on Westminster Bridge in London via flickr

A red double-decker bus passing in front of the Houses of Parliament and Big Ben on Westminster Bridge in London via flickr

Shutter Speed: A Beginner's Guide...  I've always believed that in photography, you should avoid getting bogged down in the technical side of your hobby, and focus on developing your creative talent. However, there are certain technical elements that are essential to getting a good photo - shutter speed is one of them

Shutter Speed: A Beginner's Guide... I've always believed that in photography, you should avoid getting bogged down in the technical side of your hobby, and focus on developing your creative talent. However, there are certain technical elements that are essential to getting a good photo - shutter speed is one of them

Week 5 Eduardo Hemrietta Harris 2006 Aukland. Distorted Face- Coloured Pencil Really like the realistic look and use of work to create a blurred image, loose line work upon more detailed shading created a clean aesthetic

Deconstructed Portraits by Henrietta Harris

Week 5 Eduardo Hemrietta Harris 2006 Aukland. Distorted Face- Coloured Pencil Really like the realistic look and use of work to create a blurred image, loose line work upon more detailed shading created a clean aesthetic

Japanese photographer Shinichi Maruyama has an interesting series of photos simply titled, “Nude.” Each image shows an abstract flesh-colored shape that’s created by a nude subject dancing in front of the camera.    Although the photographs look like long-exposure shots, they’re actually composite images created by combining ten thousand individual photographs of each dancer. The result is a look in which each model’s body is (mostly) lost within the blur of its movement.

Japanese photographer Shinichi Maruyama has an interesting series of photos simply titled, “Nude.” Each image shows an abstract flesh-colored shape that’s created by a nude subject dancing in front of the camera. Although the photographs look like long-exposure shots, they’re actually composite images created by combining ten thousand individual photographs of each dancer. The result is a look in which each model’s body is (mostly) lost within the blur of its movement.

7 Questions: Frank Machalowski On ‘Monsters,’ His Eerie Long Exposure Photos of Crowds

7 Questions: Frank Machalowski On 'Monsters,' His Eerie Long Exposure Photos of Crowds

A Primer on Long Exposures  by Lynne Eodice | In contrast to using fast shutter speeds to freeze action, using long exposures is a very creative means to convey motion in a photograph. A blurred image can be a very impressionistic rendition of movement, giving the viewer a sense of sensation. This will cover blurred motion, panning, zooming your lens during an exposure & capturing streaks of light from traffic at night. Experiment with these simple techniques, & have fun getting dramatic…

A Primer on Long Exposures by Lynne Eodice | In contrast to using fast shutter speeds to freeze action, using long exposures is a very creative means to convey motion in a photograph. A blurred image can be a very impressionistic rendition of movement, giving the viewer a sense of sensation. This will cover blurred motion, panning, zooming your lens during an exposure & capturing streaks of light from traffic at night. Experiment with these simple techniques, & have fun getting dramatic…

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