The colour detail of the block printed sari's is very captivating in this image. I've tried finding it in V's online catelogue to no avail.  The marriage of Krishna's parents. From a dispersed manuscript of the Bhagavata Purana. Rajasthan? 1525-1550.  From V's Indian Court Painting by Andrew Topsfield.

The colour detail of the block printed sari's is very captivating in this image. I've tried finding it in V's online catelogue to no avail. The marriage of Krishna's parents. From a dispersed manuscript of the Bhagavata Purana. Rajasthan? 1525-1550. From V's Indian Court Painting by Andrew Topsfield.

Narada warns Kamsa, an illustration to the Bhagavata Purana, attributed to the Early Master at the Court of Mandi, Mandi, circa 1635-50

Narada warns Kamsa, an illustration to the Bhagavata Purana, attributed to the Early Master at the Court of Mandi, Mandi, circa 1635-50

Krishna loosens Radha's hair. Opaque watercolor and gold on paper, Series: The Ancient Text of the Lord, Suite: Bhagavata Purana, India, ca. 1755

Krishna loosens Radha's hair. Opaque watercolor and gold on paper, Series: The Ancient Text of the Lord, Suite: Bhagavata Purana, India, ca. 1755

Yashoda (Sanskrit: यशोदा) was wife of Nanda within the Puranic texts of Hinduism. Within the Bhagavata Purana it is described that Yasoda later became the foster-mother to Krishna, who was born to Devaki but was given to Yashoda and Nanda in Gokul, by Krishna's father Vasudeva on the night of his birth, for his protection from Devaki's brother, the king of Mathura, Kansa.

Yashoda (Sanskrit: यशोदा) was wife of Nanda within the Puranic texts of Hinduism. Within the Bhagavata Purana it is described that Yasoda later became the foster-mother to Krishna, who was born to Devaki but was given to Yashoda and Nanda in Gokul, by Krishna's father Vasudeva on the night of his birth, for his protection from Devaki's brother, the king of Mathura, Kansa.

The Eternal Dance: Rasamandala. Opaque watercolor and gold on paper, Series: Krishna dances with the cowgirls; The Circular Dance Suite: Bhagavata Purana,  India Court: Malwa, 1st quarter 18th century, SDMA

The Eternal Dance: Rasamandala. Opaque watercolor and gold on paper, Series: Krishna dances with the cowgirls; The Circular Dance Suite: Bhagavata Purana, India Court: Malwa, 1st quarter 18th century, SDMA

Miniature Paintings and Sculptures on Krsna: With particular reference to Bhagavata Purana and Other Texts. Shantilal Nagar

Miniature Paintings and Sculptures on Krsna: With particular reference to Bhagavata Purana and Other Texts. Shantilal Nagar

Time Travel, relative difference between dimensions, dreams, reality, advaita philosophy explained in Bhagavata Puranam (Hindu Mythology) and Tripura Rahasya

Time Travel, relative difference between dimensions, dreams, reality, advaita philosophy explained in Bhagavata Puranam (Hindu Mythology) and Tripura Rahasya

Vishnu and Satyabhama on Garuda  Illustration to a Bhagavata Purana Series.  Late 18th Century. Bundi, India. (via Pundole’s)

Vishnu and Satyabhama on Garuda Illustration to a Bhagavata Purana Series. Late 18th Century. Bundi, India. (via Pundole’s)

Krishna Subduing Kaliya, the Snake Demon: Folio from a Bhagavata Purana Series

Krishna Subduing Kaliya, the Snake Demon: Folio from a Bhagavata Purana Series

Nanda and Vasudeva: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu) Artist: Master of the Dispersed Bhagavata Purana Period: Early Rajput-Chaurapanchasika style Date: ca. 1520–30 Culture: India (Delhi-Agra area)

Nanda and Vasudeva: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu) Artist: Master of the Dispersed Bhagavata Purana Period: Early Rajput-Chaurapanchasika style Date: ca. 1520–30 Culture: India (Delhi-Agra area)

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