It’s in this period that Freud’s brushstrokes become increasingly forceful, and the volume of paint on the canvas increases, so that it seems to almost shape the contours of skin or hair . In the portrait of the artist Frank Auerbach, his powerful forehead dominates the canvas. The two men had been friends since the mid-1950s, were great admirers of each other’s work and saw each other frequently. It was at the time he made this portrait that Freud began to use Cremnitz white, a dry…
Starting as an empty white room, Roman Ondak’s Measuring the Universe at Tate St Ives has grown through the contribution of around 90’000 participants to a constellation of black marks. Through the simple action of measuring oneself, Ondak’s work doesn’t just expand on ideas of space and the universal but also the personal, creating a growing living artwork that questions just what a museum is for.
patterns are unusual and detailed and illuminate the texture of the leaf. The use of tone in this image also helps to identify the pattern as the shadows are darkened and the colours contrast each other.
Paige: our character's storyline is based on their species having Light embedded in their body somehow - because they live in nice darkness. The Krad want to destroy the inhabitants so there is always eternal darkness.