Build geometric shapes on top of a sketch. Apply a different material in each section. You could recycle a pen or pencil observational study to do this.

Build geometric shapes on top of a sketch. Apply a different material in each section. You could recycle a pen or pencil observational study to do this.

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Tom Dixon's Copper Shade is a lesson in elegance using form and purity of materials. I also like how he's taken an old world material traditionally used for cookware, and applied it to this thoroughly modern application - pendant lighting. #TomDixon #CopperShade

Tom Dixon's Copper Shade is a lesson in elegance using form and purity of materials. I also like how he's taken an old world material traditionally used for cookware, and applied it to this thoroughly modern application - pendant lighting. #TomDixon #CopperShade

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"The problem solving process is a logical sequence for solving problems and improving the quality of decisions. It is also a guide to identifying which tools and techniques to apply."

"The problem solving process is a logical sequence for solving problems and improving the quality of decisions. It is also a guide to identifying which tools and techniques to apply."

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Thermochromic dyes: Smart textiles: Heat Reactive Jacket by Stone Island, a tracksuit top which changes colour from black to green/ blue once it has reached 27 degrees. The fabric that is cotton nylon with thermosentive liquid crystals that react to heat.

Thermochromic dyes: Smart textiles: Heat Reactive Jacket by Stone Island, a tracksuit top which changes colour from black to green/ blue once it has reached 27 degrees. The fabric that is cotton nylon with thermosentive liquid crystals that react to heat.

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Beyond 22nm: Applied Materials, the unsung hero of Silicon Valley - Extreme Tech

Beyond 22nm: Applied Materials, the unsung hero of Silicon Valley - Extreme Tech

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Client: Applied Materials,  Design Firm: Larsen Design Office,  Art Director: David Shultz,  Designer: Kimbery Aguilar

Client: Applied Materials, Design Firm: Larsen Design Office, Art Director: David Shultz, Designer: Kimbery Aguilar

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Observational studies using different materials,pencil ink water colour charcoal etc
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Driven by the notion of material ambiguity, ‘Oddity’ adopts a curious approach to the use of materials in relation to embroidery practice, challenging the traditional parameters of this luxury technique. Play is at the heart of this project, as both colour and material are explored and combined in an instinctive way generating unique aesthetic values. Utilising a combination of un-conventional materials applied using labour intensive digital embroidery techniques, ‘Oddity’ challenges not…

Driven by the notion of material ambiguity, ‘Oddity’ adopts a curious approach to the use of materials in relation to embroidery practice, challenging the traditional parameters of this luxury technique. Play is at the heart of this project, as both colour and material are explored and combined in an instinctive way generating unique aesthetic values. Utilising a combination of un-conventional materials applied using labour intensive digital embroidery techniques, ‘Oddity’ challenges not…

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A stone cobbled 'rumble strip' idea between the gravel and the pavement & road
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