Emanation by Anselm Kiefer, 1984-86. Oil, acrylic and emulsion on canvas with applied lead.

Emanation by Anselm Kiefer, 1984-86. Oil, acrylic and emulsion on canvas with applied lead.

Anselm Kiefer | Hortus Conclusus | 2007–2014 | Privatsammlung | © Anselm Kiefer und Charles Duprat #AlbertinaKiefer

Anselm Kiefer | Hortus Conclusus | 2007–2014 | Privatsammlung | © Anselm Kiefer und Charles Duprat #AlbertinaKiefer

Anselm Kiefer, Unknown on ArtStack #anselm-kiefer #art

Anselm Kiefer, Unknown on ArtStack #anselm-kiefer #art

Anselm Kiefer / Royal Academy of Arts - 27 September - 14 December 2014

Anselm Kiefer / Royal Academy of Arts - 27 September - 14 December 2014

Let a Thousand Flowers Bloom. Kiefer has often painted flowers, but always completely drained of color and often of life.

Let a Thousand Flowers Bloom. Kiefer has often painted flowers, but always completely drained of color and often of life.

Anselm Kiefer's Korridor. Werke von ihm sind in unserer nächsten Ausstellung zu sehen. WIR 1 Acting in Concert vom 12.07.-07.09.14 in der Klinger Villa in Leipzig.

Anselm Kiefer's Korridor. Werke von ihm sind in unserer nächsten Ausstellung zu sehen. WIR 1 Acting in Concert vom 12.07.-07.09.14 in der Klinger Villa in Leipzig.

Anselm Kiefer, The Hierarchy of the Angels. Cf. Richard Wilbur, " Love Calls Us to the Things of this World."

Anselm Kiefer, The Hierarchy of the Angels. Cf. Richard Wilbur, " Love Calls Us to the Things of this World."

Anselm Kiefer - Schechina; Creation Date: 1999; Medium: Oil, emulsion, acrylic, lead and aluminum wire cage on canvas; Dimensions: 129.92 X 74.8 in...

Anselm Kiefer - Schechina; Creation Date: 1999; Medium: Oil, emulsion, acrylic, lead and aluminum wire cage on canvas; Dimensions: 129.92 X 74.8 in...

These railroad images, another theme, are Nazi references. Kiefer has been trying for his whole career to get his fellow Germans to think about Nazism and their part in its crimes; his first works that attracted any attention were photographs of himself giving the Nazi salute in front of public buildings in Germany. Above, Lot's Wife, 1989.

These railroad images, another theme, are Nazi references. Kiefer has been trying for his whole career to get his fellow Germans to think about Nazism and their part in its crimes; his first works that attracted any attention were photographs of himself giving the Nazi salute in front of public buildings in Germany. Above, Lot's Wife, 1989.

workman: nearlya: Anselm Kiefer, Symeon, der Stylit, 2007 Gouache and sand on photography

workman: nearlya: Anselm Kiefer, Symeon, der Stylit, 2007 Gouache and sand on photography

Anselm Kiefer <i>Sursum corda</i> (2016). Photo Courtesy of White Cube (Ben Westoby).

Anselm Kiefer <i>Sursum corda</i> (2016). Photo Courtesy of White Cube (Ben Westoby).

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